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Passing for Black: A cultural hegemonic perspective on the signification of contemporary images of Black women in mainstream magazine advertisements to African-American female consumers.

机译:为黑人而行:一种文化霸权主义的观点,即主流杂志广告中针对黑人女性消费者的黑人女性当代形象的意义。

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摘要

Hegemony theory explains that one mechanism through which advertising influences a subculture is by its ability to shape or redefine that subculture. It does so by creating new or more palatable representations of important features of the subculture in promoting products and services to mainstream audiences. One possible example of hegemony in American culture is the evolution of the portrayal of the African-American female in advertising. The derogatory stereotypic images used in the early part of the 20th century (e.g., dark complexioned, sexless characters such as Aunt Jemima) have given way to more contemporary images of blackness, which commonly depict African-American females as sensual beings with light skin and long, straight hair. As a result, the standard of what is considered an “attractive” African-American female, according to mainstream advertisements, is Eurocentric-looking models who are merely “passing” for Black.; This study explored the question of whether the images used to portray African-American females in mainstream magazine advertising today reflect how these women perceive themselves. The study used qualitative methodology, employing two sets of focus groups to collect data. Initially, focus groups were used to explore the perceptions of African-American models held by middle-class African-American females aged 24 and older. Participants' responses were analyzed using the CATPAC program.; These responses were then used to develop a battery of facial features, using a cultural palette, which was intentionally loaded with “cultural meanings and nuances of meanings” that are relevant to contemporary African-American females. Participants in the focus groups were then instructed to create two facial portrayals: one that represented the type of Black woman they see most often in mainstream magazine advertisements, and one that represented themselves. Semantic differential scaling was used to evaluate the completed facial composites created by participants.; The study found that contemporary images used to portray Black women in mainstream advertisements are not representative of how middle-class African-American women see themselves. This finding indicates that these individuals did perceive a ‘hegemonic effect’ of magazine advertising, although it may be much more subtle than that produced by the stereotypical imagery of the past. One other finding was that, based upon the significant differences between participants' perceptions of themselves and that of African-American models, ‘leaky hegemony’ may partially explain their ability to form counter-hegemonic meanings that reflect their own sense of what is attractive.
机译:霸权理论解释说,广告影响亚文化的一种机制是其塑造或重新定义亚文化的能力。它通过创建新的或更可口的亚文化重要特征表示法来向主流受众推广产品和服务。美国文化中霸权的一个可能例子是广告中非洲裔美国女性形象的演变。在20世纪初早期使用的贬义刻板印象图像(例如肤色深色,无性别的人物,例如杰米玛姨妈)已被更现代的黑度图像所取代,这些图像通常描绘了非裔美国人女性为浅色皮肤和长直发的性感生物。结果,根据主流广告,被认为是“有吸引力”的非洲裔美国女性的标准是看起来像欧洲中心的模特,她们只是“超越”了黑人。这项研究探讨了一个问题,即当今主流杂志广告中用来描绘非洲裔美国女性的图像是否反映了这些女性的自我感觉。该研究采用定性方法,采用了两组焦点小组来收集数据。最初,焦点小组用于探讨由24岁及以上的中产阶级非裔美国女性持有的非裔美国人模型的看法。使用CATPAC程序分析了参与者的回答。然后,使用一种文化调色板将这些反应用于开发一系列面部特征,并有意识地加载与当代非洲裔美国女性有关的“文化含义和含义的细微差别”。然后指示焦点小组的参与者创建两个面部表情:一个代表主流杂志广告中最常出现的黑人女性类型,另一个代表自己。语义差异缩放用于评估参与者创建的完整面部合成。该研究发现,用于在主流广告中刻画黑人女性的当代图像不能代表中产阶级非裔美国女性如何看待自己。这一发现表明,这些人确实感觉到杂志广告的“霸权效应”,尽管它可能比过去的刻板印象更为微妙。另一个发现是,基于参与者对自己的看法与非裔美国人模式之间的显着差异,“泄漏的霸权”可能部分解释了他们形成反霸权含义的能力,这些含义反映了他们对有吸引力的事物的感觉。

著录项

  • 作者

    Britt, Marilyn Skinner.;

  • 作者单位

    Michigan State University.;

  • 授予单位 Michigan State University.;
  • 学科 Mass Communications.; Black Studies.; Womens Studies.; Business Administration Marketing.
  • 学位 Ph.D.
  • 年度 2003
  • 页码 164 p.
  • 总页数 164
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 传播理论;人类学;社会学;贸易经济;
  • 关键词

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