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Katrina's aftermath: The New Orleans 'looter' as framed by the media.

机译:卡特里娜飓风的后果:新奥尔良被媒体圈定的“掠夺者”。

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摘要

In the days following Hurricane Katrina, the media portrayed the people inside New Orleans as a threat rather than a population in need. It was looters, in particular, who were portrayed in this deviant light and they were well publicized in the media coverage in Katrina's aftermath. However, sociological research is limited in terms of examining looting, especially in the wake of a disaster.;This research explores how looters were socially constructed after Hurricane Katrina within three prominent US newspapers: The New York Times, The Washington Post and Chicago Tribune. This research addresses three questions. First, how have Hurricane Katrina looters been framed by the news media? Second, how have Hurricane Katrina looters been differentially framed by these three powerful continuum of voices? Lastly, were media frames of perceived Katrina looters instrumental in re-establishing social order?;Based on a frame analysis of newspaper articles in The New York Times, The Washington Post and Chicago Tribune, four primary looting frames emerged: property crime, lawlessness, policing, and race. The extracted looting frames provide insight into how the media portrayed those who looted after Hurricane Katrina. The unfolding of the analysis told a unique sociological story by bringing the New Orleans looter to life.;The underlying idea of the looter after Katrina took on an ill-famed or villainous tone. According to media reports, looters vandalized, ran wild among the city and required "tough policing" in order to contain their behavior. It was the media that served as a social force that helped create and move these ideas about looting.;The portrayal of the looter in this light becomes of great importance in the moment after a disaster takes place: the moment in which society realizes that utter chaos has replaced the normal social order. It is at this time when people pull together and set aside their differences. However, this warm and fuzzy feeling of wanting to pull together as one does not sustain itself for long. After Katrina, it was the claims of looting that broke this romanticized feeling of social justice for all. Looting rumors at this time contribute to the re-establishment of social order or in another way, bring back old societal order. This is accomplished because looters are a way of establishing us (the good guys) and them (the bad guys) once again in a time in which all social order is for a moment lost. In other words, singling out the looter becomes a way to make sense of the chaos; brings back stratification; brings back something that is familiar and maybe even comforting to those that hold more power in society. Claims of looting were powerful in this way because it was based on the age old struggle between the "haves" and "have-nots."
机译:在卡特里娜飓风过后的几天里,媒体将新奥尔良内的人们描绘成一种威胁,而不是有需要的人口。尤其是抢劫者,是从这种异常的角度来描绘的,在卡特里娜飓风之后的媒体报道中,他们得到了很好的宣传。但是,社会学研究在检查劫掠方面是有限的,尤其是在灾难发生后。该研究探讨了在美国三大著名报纸《纽约时报》,《华盛顿邮报》和《芝加哥论坛报》上卡特里娜飓风之后掠夺者是如何社会建构的。这项研究解决了三个问题。首先,新闻媒体如何对卡特里娜飓风的掠夺者进行陷害?其次,这三个强大的声音连续体如何对卡特里娜飓风的掠夺者做出不同的构架?最后,被认为是卡特里娜飓风掠夺者的媒体框架是否有助于重建社会秩序?;根据《纽约时报》,《华盛顿邮报》和《芝加哥论坛报》报纸文章的框架分析,出现了四个主要的掠夺框架:财产犯罪,违法行为,警务和种族。提取的抢劫框架为媒体如何描绘卡特里娜飓风后的抢劫者提供了见识。分析的展开通过使新奥尔良的抢劫者栩栩如生而讲述了一个独特的社会学故事。卡特里娜飓风之后,该抢劫者的基本观念采用了一种臭名昭著或恶毒的语气。据媒体报道,抢劫者遭到破坏,在城市中肆虐,要求“严厉治安”以遏制他们的行为。正是媒体充当了社会力量,帮助创造并转移了有关抢劫的观念。在灾难发生的那一刻:社会意识到这一点的那一刻,以此为依据对抢劫者的刻画就变得非常重要。混乱已经取代了正常的社会秩序。正是在这个时候,人们齐心协力,摒弃了分歧。但是,这种渴望团结在一起的温暖而模糊的感觉并不能维持很长时间。在卡特里娜飓风之后,抢劫的主张打破了所有人对这种浪漫的社会正义感。此时掠夺谣言有助于重新建立社会秩序,或以其他方式带回旧的社会秩序。之所以能够做到这一点,是因为掠夺者是在所有社会秩序暂时丧失的时代中再次建立我们(好人)和他们(坏人)的一种方式。换句话说,将掠夺者挑出来成为一种理解混乱的方式。恢复分层;带给那些在社会上拥有更多权力的人一些熟悉甚至安慰的东西。抢劫的主张之所以如此有力,是因为它是基于“富人”与“富人”之间古老的斗争而建立的。

著录项

  • 作者

    Priesmeyer, Jessica Lynn.;

  • 作者单位

    The University of North Carolina at Greensboro.;

  • 授予单位 The University of North Carolina at Greensboro.;
  • 学科 Sociology Criminology and Penology.;Sociology Social Structure and Development.;Mass Communications.
  • 学位 M.A.
  • 年度 2010
  • 页码 89 p.
  • 总页数 89
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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