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The ever-changing roles of Chinese women in society: A content analysis and semiotic analysis of some contemporary Chinese films.

机译:中国妇女在社会中的角色日新月异:当代中国电影的内容分析和符号学分析。

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摘要

One major question in the area of Feminist Media Studies is to analyze the stereotypical female role portrayals in media. Researchers in this area have examined diverse media including television, radio, films, textbooks, literature and so on. Empirical evidence provided by these studies shows that women in media are often underrepresented or stereotypically portrayed in traditional roles such as housewives or mothers associated with feminine values, such as dependent, submissive, and passive. Using content analysis and semiotic analysis, this study is designed to examine the portrayals of female roles in a sample of contemporary (1949-2010) Chinese films.;Content analysis is employed to examine how women have been portrayed in films, with the primary focus on the frequency of three types of female roles including (1) traditional roles, (2) modern role, and (3) ideal role. Results suggest that during this long period of time, representations and constructions of women in films have shifted from promotion of gender equality, to diminishing and erasing gender difference, and finally regressed to confining them to traditional roles while emphasizing traditional feminine values and expectations.;In using semiotic analysis, this research is able to outline the connotative meanings of the female characters as well as the implicit cultural values and messages of gender that are embedded in films. On this cultural analysis, the findings reveal that female role portrayals in films, which are influenced by political, cultural, and social changes, remained associated with traditional feminine stereotypes, values, and expectations.
机译:女权主义媒体研究领域的一个主要问题是分析媒体中刻板的女性角色刻画。该领域的研究人员研究了多种媒体,包括电视,广播,电影,教科书,文学等。这些研究提供的经验证据表明,媒体中的女性通常在传统角色(例如家庭主妇)或与女性价值观相关的传统角色(例如,依赖,顺从和被动)上的代表性不足或刻板描绘。本研究使用内容分析和符号学分析来研究当代(1949-2010)中国电影样本中女性角色的刻画。内容分析被用来研究女性在电影中的刻画女性角色的三种类型的频率,包括(1)传统角色,(2)现代角色和(3)理想角色。结果表明,在这段漫长的时期内,电影中女性的形象和结构已经从促进性别平等转向减少和消除性别差异,并最终回归到将她们限制为传统角色的同时强调传统的女性价值观和期望。在运用符号学分析的过程中,这项研究能够勾勒出女性角色的内涵,电影中所隐含的文化价值和性别信息。通过这种文化分析,研究结果表明,受政治,文化和社会变革影响的电影中的女性角色刻画仍然与传统的女性刻板印象,价值观和期望联系在一起。

著录项

  • 作者

    Hao, Yiren.;

  • 作者单位

    University of Ottawa (Canada).;

  • 授予单位 University of Ottawa (Canada).;
  • 学科 Cinema.;Womens Studies.
  • 学位 M.A.
  • 年度 2011
  • 页码 171 p.
  • 总页数 171
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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