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Queer melodramatics: The feeling body and the American democratic imagination.

机译:酷儿戏剧:感觉身体和美国民主的想象力。

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摘要

Queer Melodramatics: The Feeling Body and the American Democratic Imagination seeks to locate and analyze the ways in which the rational, enfranchised democratic citizen-subject is produced through the generation and management of "feeling" bodies, which play a crucial role in the ongoing validation and maintenance of American democratic hegemony. This problematic is investigated through a focus on the visual representation of queerness as an experience of affect. Under American democracy, the queer body has been historically displayed as a body wracked by feeling: this study is an attempt to examine the ways in which this display is intimately involved in the production, and restriction, of American democratic life. Throughout American history, the experience of democracy has been translated into popular and consumable forms through a specifically American melodramatics. Queer Melodramatics thus seeks to provide instructive readings of America's struggle to rectify the problem of queerness through the analysis of melodramatic televisual and filmic texts representing the feeling queer body. Linking the emergence of popular melodrama to the revolutionary democracies of the 18th century, it proposes a reciprocal relationship between the creation of Western, democratic political space and the formation of melodramatic modes of public meaning. Finally, it argues that since the mid-20th century, popular American melodrama has been explicitly directed toward the affective management of the queer body as it "troubles" American democratic life. The goal of the work is to explore how the melodramatic manipulation of the feeling queer body operates as an affective technology of democratic hegemony. My project traces how queerness is not simply antipathetic to the requirements of American citizenship, but operates as a key component in the process by which the prohibitive nature of these requirements is affectively produced, negotiated, defended, and preserved.
机译:酷儿戏剧:感觉身体和美国民主想象力试图找到并分析通过“感觉”身体的产生和管理来产生理性的,被赋予特权的民主公民主体的方式,这在正在进行的验证中起着至关重要的作用和维护美国的民主霸权。通过着眼于古怪的视觉表现作为情感体验来研究这个问题。在美国民主制度下,古怪的身体在历史上一直是被感觉破坏的身体:这项研究试图检验这种展示与美国民主生活的产生和限制密切相关的方式。在整个美国历史上,民主的经验已通过专门的美国情节法转换为流行和消耗性形式。因此,《 Queer Melodramatics》力图通过分析代表感觉古怪的身体的戏剧性电视和电影文字,为美国为纠正古怪性问题所做的努力提供指导性阅读。将流行情节剧的出现与18世纪的革命民主联系起来,它提出了在西方民主政治空间的建立与公共意义的情节模式的形成之间的对等关系。最后,它认为,自20世纪中叶以来,流行的美国情节剧就已明确地指向酷儿团体的情感管理,因为它“麻烦”了美国民主生活。这项工作的目的是探索对情感同性恋者的情节操纵如何作为民主霸权的情感技术来运作。我的项目追踪的是,古怪不仅是对美国公民要求的反感,而且在有效地产生,协商,捍卫和保留这些要求的禁止性的过程中,也起着关键作用。

著录项

  • 作者

    Keegan, Cael M.;

  • 作者单位

    State University of New York at Buffalo.;

  • 授予单位 State University of New York at Buffalo.;
  • 学科 American Studies.;Gender Studies.;Mass Communications.;GLBT Studies.
  • 学位 Ph.D.
  • 年度 2010
  • 页码 269 p.
  • 总页数 269
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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