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Children's perceptions of and feelings about their musical performance.

机译:儿童对其演奏的看法和感觉。

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摘要

This action research study investigates children's perceptions of and feelings about musical performance. The participants were 41 children from two intact third-grade classes at one private school in the southwest region of the United States.;The study occurred over nine weeks, including preparation for performance, the performance, and the week following performance. Classroom music instruction was grounded in Orff Schulwerk processes. As the teacher-researcher, I investigated students' feelings about and perceptions of the performance process using various data collection strategies. The students drew pictures, wrote about their thoughts and feelings during music class, and wrote letters to friends or relatives in individual journals. I interviewed individual participants to explore in more detail their drawings and journal writing. All classroom instruction, interviews, and group discussions were audio taped and recorded in a research log to document student behaviors and conversations between students. Questionnaires were distributed and collected from parents, faculty, and administrators. A reflective field log helped me organize research activities including my teaching, and provided additional data.;Analysis of the data revealed three categories: (1) emotions, feelings, and self-esteem, (2) social interactions, and (3) musical engagement. Third graders had mixed feelings about their upcoming performance, for example, they wrote in journals and made comments during interviews about being happy/excited and nervous at the same time. They demonstrated egocentric behavior throughout the entire performance process, and this behavior remained evident as their attention in their letters shifted from family to friends or themselves. They sought approval from adults and peers, indicating the social values of performance. Their focus was on musical skills; they didn't articulate conceptual music knowledge in the data.;Findings of this study demonstrate that children have their own thoughts and feelings about performance, and these are related to emotional and cognitive development. This study places a lens on the importance of the school music performance, and the multiple dimensions of children's performance experience, including, feelings, emotions, self-esteem, social interactions, and musical engagement.
机译:这项行动研究旨在调查儿童对音乐表演的看法和感受。参加者是来自美国西南地区一所私立学校的两个完整的三年级班的41名儿童。该研究历时9周,包括表演准备,表演和表演后一周。课堂音乐教学基于Orff Schulwerk流程。作为老师,我使用各种数据收集策略调查了学生对演奏过程的感觉和看法。学生们画画,在音乐课上写下他们的想法和感受,并在各个日记中写信给亲戚或朋友。我采访了个别参与者,以更详细地探讨他们的图纸和日记写作。所有课堂教学,访谈和小组讨论均被录音,并记录在研究日志中,以记录学生的行为和学生之间的对话。问卷是从父母,教职员工和管理人员那里分发和收集的。反射性的现场日志帮助我组织了包括我的教学在内的研究活动,并提供了其他数据。;对数据的分析揭示了三类:(1)情感,感觉和自尊,(2)社交互动,以及(3)音乐订婚。三年级生对即将来临的表现有不同的感觉,例如,他们在日记中写文章,并在采访中发表评论,称自己同时感到高兴/激动和紧张。他们在整个表演过程中表现出以自我为中心的行为,这种行为在他们的来信从家人转移到朋友或自己身上时仍然很明显。他们寻求成年人和同龄人的认可,表明了表演的社会价值。他们的重点是音乐技能。他们没有在数据中表达概念性的音乐知识。这项研究的结果表明,孩子们对演奏有自己的想法和感觉,这些与情感和认知发展有关。这项研究将重点放在学校音乐表演的重要性以及儿童表演经历的多个维度上,包括感觉,情感,自尊,社交互动和音乐参与度。

著录项

  • 作者

    Cose-Giallella, Carla D.;

  • 作者单位

    Arizona State University.;

  • 授予单位 Arizona State University.;
  • 学科 Education Music.;Education Elementary.;Psychology Developmental.;Performing Arts.
  • 学位 D.M.A.
  • 年度 2010
  • 页码 175 p.
  • 总页数 175
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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