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The players, performance practices, and traditions of the New York Philharmonic horn section since 1928.

机译:自1928年以来,纽约爱乐乐号角部分的演奏者,演奏手法和传统。

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摘要

In the over 150-year history of the New York Philharmonic, close to one hundred different players have occupied the chairs within the horn section. The amalgamation of these traditions and practices of these players provides the basis for the influential and unique New York approach to the horn. Numerous factors contribute to the New York approach to horn playing including playing characteristics, teaching techniques, and equipment use. Especially distinctive traits include specific approaches to embouchure, mouthpiece pressure, phrasing, vibrato, right hand position, and teaching philosophy. Yet other important factors come in the areas of tone quality, note beginnings, the use of the F and B-flat sides of the horn, lesson content and exercises, and instruments and mouthpieces. Together, all of these traits constitute the foundation of the New York style and, in fact, define the New York approach to horn playing.
机译:在纽约爱乐乐团150多年的历史中,接近100个不同的演奏者占据了号角部分的椅子。这些球员的这些传统和做法的融合为纽约号角的影响力和独特方法提供了基础。纽约的号角演奏方法有很多因素,包括演奏特性,教学技巧和设备使用情况。特别鲜明的特征包括特定的装袋方法,吹口的压力,拍打,颤音,右手姿势和教学理念。其他重要因素还包括音调质量,音调起点,号角F和B扁平侧的使用,课程内容和练习以及乐器和吹嘴。所有这些特征共同构成了纽约风格的基础,实际上,它们定义了纽约吹号角的方法。

著录项

  • 作者

    Fuller, Valerie S.;

  • 作者单位

    The University of Southern Mississippi.;

  • 授予单位 The University of Southern Mississippi.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2004
  • 页码 154 p.
  • 总页数 154
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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