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Classical lyric modernities: Poetics, gender, and politics in modern China (1900--1937) (Chen Sanli, Zhu Zumou, Lu Bicheng).

机译：古典抒情现代性：现代中国的诗学，性别与政治（1900--1937年）（陈三立，朱祖谋，卢必成）。

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This dissertation examines the transformation of classical-style poetry in twentieth-century China and its complex relationship with the development of modern culture. This work has two objectives. The first of these is to challenge the May Fourth view of the demise of classical language and its inimicality to modernization, thus, hopefully, instigating a programmatic change in the field of modern Chinese literature today; Second, I would like to draw attention to the failure of most contemporary literary criticism and cultural studies in recognizing the significant contributions that lyric poetry has made to modern nationalism, theories of modernity, and gender issues. Through analysis of the works of Chen Sanli (1852--1937), Zhu Zumou (1837--1931) and Lu Bicheng (1883--1943), I will attempt to illustrate the persistent and innovative practices of classical-style poetry and delve into the question of what transformations this time-honored poetic tradition underwent from the end of the Qing dynasty and to the Republican period. In doing so, I hope to reevaluate the multifaceted roles of tradition as a force that shaped modern consciousness and offer different conceptions of Chinese literary modernities.

机译：本文考察了二十世纪中国古典诗歌的转型及其与现代文化发展的复杂关系。这项工作有两个目标。第一个挑战是对“五四”古典语言的消亡及其对现代化的不利影响提出质疑，从而有望在当今中国现代文学领域引发程序性变革。第二，我想提请注意大多数当代文学批评和文化研究在承认抒情诗对现代民族主义，现代性理论和性别问题做出的重大贡献方面的失败。通过对陈三立（1852--1937年），朱祖谋（1837--1931年）和卢必成（1883--1943年）的作品的分析，我将尝试说明古典诗歌的持久和创新实践，并进行深入研究。从清末到民国时期，这个历史悠久的诗歌传统经历了怎样的转变。在此过程中，我希望重新评估传统的多方面作用，它是塑造现代意识并提供中国文学现代性不同观念的力量。

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作者
Wu, Shengqing.;
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作者单位

University of California, Los Angeles.;

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授予单位 University of California, Los Angeles.;
学科 Literature Asian.
学位 Ph.D.
年度 2004
页码 294 p.
总页数 294
原文格式 PDF
正文语种 eng
中图分类 I3;
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Classical lyric modernities: Poetics, gender, and politics in modern China (1900--1937) (Chen Sanli, Zhu Zumou, Lu Bicheng).

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