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Radical culture in the digital age: A study of critical new media practice.

机译:数字时代的激进文化:关键新媒体实践研究。

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摘要

"Radical Culture in the Digital Age: A Study of Critical New Media Practice," examines the nexus between society and culture within oppositional new media practice, particularly in the ways ruling forces in cyberspace such as conglomeration, copyright maintenance, FCC policy, case law, network surveillance, and capital investment give rise to cultural responses that route around these mechanisms of influence and control, resulting in open source journalism collectives, radical net.art, hacktivism, and files sharing networks---a techno-popular front. This research and scholarship focuses on the pressure point between policy and practice, regulation and resistance. As cultural activists intervene by pushing the boundaries of legality and digital agency, they leverage the unique context of the Internet as a networked, decentralized, relatively non hierarchical environment that facilitates symbolic manipulation, technological innovation, political collaboration, and media distribution, benefiting a culture of resistance. While foregrounding the collaboration of offline and online efforts, this dissertation explores how radical uses of new media can contribute to new forms of social organization, activism in the arts, and a critical theory of new media. Ultimately, this work explores the radical potential of leading online practices of cultural resistance and indicates how new technology can be used by all of us to help secure a public commons in the face of corporate globalization.
机译:“数字时代的激进文化:新媒体批判性研究”探讨了反对性新媒体实践中社会与文化之间的联系,特别是在网络空间的统治力方面,例如集团化,版权维护,FCC政策,判例法,网络监视和资本投资引起了围绕这些影响和控制机制的文化回应,从而导致了开源新闻工作者,激进的net.art,黑客行为主义和文件共享网络,这在技术领域颇受欢迎。这项研究和学术研究着重于政策与实践,法规与抵制之间的压力点。当文化活动家通过突破合法性和数字代理的界限进行干预时,他们利用互联网的独特背景,将其作为一种网络化,分散化,相对非分层的环境,以促进符号操纵,技术创新,政治合作和媒体发行,从而造福文化抵抗。在探讨离线和在线工作之间的协作的同时,本论文探讨了新媒体的激进使用如何能够促进新形式的社会组织,艺术活动主义以及新媒体的批判理论。最终,这项工作探索了领先的在线文化抗争实践的巨大潜力,并指出了面对公司全球化的情况,我们所有人如何利用新技术来帮助确保公众利益。

著录项

  • 作者

    Bodle, Robert.;

  • 作者单位

    University of Southern California.;

  • 授予单位 University of Southern California.;
  • 学科 Mass Communications.; Cinema.; Anthropology Cultural.
  • 学位 Ph.D.
  • 年度 2004
  • 页码 248 p.
  • 总页数 248
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 传播理论;电影、电视艺术;人类学;
  • 关键词

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