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Chicana aesthetics: A view of unconcealed alterities and affirmations of Chicana identity through Laura Aguilar's photographic images.

机译:奇卡纳美学:通过劳拉·阿吉拉尔(Laura Aguilar)的摄影图像,对奇卡纳的身份进行隐蔽的改动和确认。

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摘要

This research presents a complex critique of art and culture through an analysis and evaluation of Laura Aguilar's photographic images, her role as the artist, and her contributions to unfixing the traditional and marginalized feminine body. I argue that photographer Laura Aguilar provides a counter-narrative to cultural patriarchy and Western essentialist hegemonic identification. Through artistic epistemological and theoretical aesthetic expression, Laura Aguilar has developed an oppositional discourse that challenges racial stereotypes, discrimination, social inequalities, representation, sexuality, and femininity.;This paper contextualizes Laura Aguilar photographic images and presents her aesthetic portrayals of the female body. Through a visual representation of Chicana feminist aesthetics, Aguilar unconceals and reconstructs the female body, reclaims "space", and evokes reclamation identification by revealing new interpretations, and revealing perspectives of Chicana identity. Moreover, Aguilar draws from Chicana feminist theory to contests patriarchal hegemonic discourse, which she believes threatens to render Chicanas invisible or marginal.
机译:这项研究通过对劳拉·阿吉拉尔(Laura Aguilar)的摄影图像,其作为艺术家的角色以及对打破传统和边缘化女性身体的贡献的分析和评估,对艺术和文化提出了复杂的批评。我认为摄影师劳拉·阿吉拉尔(Laura Aguilar)对文化父权制和西方本质主义者的霸权认同提出了反叙事。劳拉·阿奎拉尔通过艺术认识论和理论美学表达,发展出一种对立的话语,挑战种族刻板印象,歧视,社会不平等,表征,性别和女性气质。通过对奇卡纳女权主义美学的视觉表现,阿吉拉尔隐藏并重建了女性的身体,收回了“空间”,并通过揭示新的解释并揭示了奇卡纳身份的观点唤起了对填海的认同。此外,阿吉拉尔(Aguilar)借鉴了奇卡纳(Chicana)女权主义理论,反对父权制霸权话语,她认为这种话语有可能使奇卡纳斯变得无形或边缘化。

著录项

  • 作者

    Perez, Daniel C.;

  • 作者单位

    California State University, Dominguez Hills.;

  • 授予单位 California State University, Dominguez Hills.;
  • 学科 Art Criticism.;Hispanic American Studies.;Gender Studies.
  • 学位 M.A.
  • 年度 2012
  • 页码 65 p.
  • 总页数 65
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 现代史(1917年~);
  • 关键词

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