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African arts in the diaspora: An examination of common cultural and plastic essence in the visual arts.

机译:散居海外的非洲艺术:视觉艺术中常见的文化和造型精髓的考察。

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摘要

This study examines African plastic and performing arts in terms of its cultural context, meaning, and function. My thesis is that African art needs to be re-examined from the eyes of the African. The PDE examines African art in the context of African world view, a departure from the fragmented studies used by many Europeans. Using qualitative and art historical methods, the PDE investigated (1) the structure, meaning and cultural values inherent in African art, (2) the African creative process and what makes them unique, (3) dominant characteristics that recur to give the arts and culture African identity, (4) the impact of African idiomatic expressions in art in the Diaspora.; This PDE argues, that many Euro-American scholars fall short in their analyses, critique and understanding of African art due to an unwillingness to compromise their ideals for good art and to acknowledge the African's traditional beliefs. Important question of common essence and Africaness, provides conceptual frameworks for the critical analysis of African culture, plastic arts production and axis of engagement with other cultures. These were discussed by (1) examining common and divergent issues in the elements and principles of design in African and European art, (2) defining African art as derived from an African worldview, (3) understanding the functional, cultural, formal and collective nature of African art and (4) contrasting between the African and European interpretations of art. The field study and interviews provided opportunities to acquire greater knowledge, understanding and appreciation of African arts, a crucial forum for the examination of African and diasporic expressions, representatives, identities, continuities in the development of conceptual innovation and entry of new perspectives.; The study concludes that the unique features and philosophical connotations inherent in African Art derive from an African worldview; that examining African art outside of these considerations renders analysis that is devoid of the essence of African Art; that African art transcends purely aesthetic terms of conventional art appreciation. It exists and functions as part of an intricate cultural world, and is in its material reality, a visible "portal" into that world.
机译:这项研究从文化背景,意义和功能方面考察了非洲的塑料和表演艺术。我的论点是非洲艺术需要从非洲人的角度重新审视。 PDE在非洲世界观的背景下审视非洲艺术,这与许多欧洲人零散的研究背道而驰。 PDE使用质和艺术的历史方法,研究了(1)非洲艺术固有的结构,意义和文化价值,(2)非洲的创作过程及其独特性,(3)赋予艺术和艺术的主导特征文化非洲身份,(4)散居在非洲的非洲惯用语表达对艺术的影响;本PDE认为,由于不愿妥协他们对优良艺术的理想和承认非洲的传统信仰,许多欧美学者在对非洲艺术的分析,批评和理解上均达不到要求。有关共同本质和非洲性的重要问题,为对非洲文化,造型艺术生产以及与其他文化的交往轴进行批判性分析提供了概念框架。通过(1)研​​究非洲和欧洲艺术的设计要素和原则中的常见和分歧问题,(2)将非洲艺术定义为源自非洲世界观,(3)了解功能,文化,形式和集体来讨论这些问题非洲艺术的性质和(4)非洲和欧洲对艺术的解释之间的对比。实地研究和访谈提供了获得更多知识,了解和欣赏非洲艺术的机会,这是审查非洲和非流血的表现形式,代表,身份,概念创新发展的连续性和进入新观点的重要论坛。研究得出的结论是,非洲艺术固有的独特特征和哲学内涵源于非洲世界观。在这些考虑之外检查非洲艺术会提供没有非洲艺术本质的分析;非洲艺术超越了传统艺术欣赏的纯粹美学术语。它的存在和功能是错综复杂的文化世界的一部分,在它的物质现实中,它是该世界的可见“门户”。

著录项

  • 作者

    Ajayi, Murphy.;

  • 作者单位

    Union Institute and University.;

  • 授予单位 Union Institute and University.;
  • 学科 Art History.; Fine Arts.; Anthropology Cultural.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 384 p.
  • 总页数 384
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 艺术史、艺术思想史;艺术;人类学;
  • 关键词

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