Misery baby: A (re)vision of the Bildungsroman by Caribbean and United States black women writers (Jamaica Kincaid, Antigua, Edwidge Danticat, Haiti, Toni Morrison).

摘要

Emerging from a description of the protagonist in Edwidge Danticat's short story "Caroline's Wedding," the phrase "misery baby," is developed as a critical trope to engage questions of gender, as well as individual, national and regional identity in the Caribbean and the United States. Using misery baby as a template, I discuss two other Caribbean Bildungsromane. Jamaica Kincaid's Lucy and Edwidge Danticat's Breath, Eyes, Memory. I then analyze Toni Morrison's Beloved to make larger diasporic connections. The characteristics that mark misery baby include her positioning as a coming-of-age character between two nations/cultures; her questioning of false dichotomies; her travel across geographic borders; her ability to negotiate a hybrid identity through a questioning of borders and binaries allowing for the reconceptualization of an ironic nationhood; and lastly her participation in a new way of remembering the past through an understanding of the role of the past in the present.