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The anatomy of an apology: The war against conciliarism and the politicization of papal authority in the 'Commentarii' of Pope Pius II (1458--1464).

机译:道歉的剖析:教宗庇护二世(1458--1464)的“抗ilia悔之战和教皇权威的政治化”。

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摘要

This dissertation focuses on Pius II's Commentarii, the monumental autobiographical account of the pontiff's six-year papacy. Pius, born Aeneas Silvius Piccolomini, was one of the most prominent figures on the political, ecclesiastical, and cultural stages of fifteenth-century Europe, and his Commentarii are considered one of the most important works of Renaissance Italian humanism. Yet this text has received surprisingly little attention from scholars. This thesis offers the most extensive analysis of the Commentarii to date and a new interpretation of the pontiff's work. It contends that the Commentarii represent an important document in the debate over Church authority in the fifteenth century. The text not only launches an extensive attack against conciliar theory, but it also retaliates against specific conciliar threats during Pius's papacy.;This thesis also argues that the Commentarii represent a turning point in the evolution of papal imagery. In a sharp break with tradition, Pius politicizes his self-portrait: his image in the Commentarii resembles that of a contemporary Italian prince. My thesis traces the contours of this princely portrait in his goals, skills, and ideals, and in his use of classical imagery; and it explains how these politicized features served to buttress his shaky authority in both his spiritual and temporal realms.;As well as contributing to the flourishing scholarship on Pius the humanist, this thesis fits into a long and rich tradition of study on the question of authority in the medieval and early modern Church. It also responds to recent calls for deeper investigation into representations of papal power during the Renaissance. By following this uncharted path, this dissertation both extends and challenges existing scholarship on the growth of absolute monarchy in the Papal States and on the evolution of papal imagery in the early modern period.
机译:本论文的重点是庇护二世的注释,这是对教皇六年教皇的重要自传。皮乌斯出生于埃涅阿斯·西尔维乌斯·皮克洛米尼(Aeneas Silvius Piccolomini),是15世纪欧洲政治,教会和文化舞台上最杰出的人物之一,他的Commentarii被认为是意大利文艺复兴时期最重要的人文主义作品之一。然而,这篇文章却很少受到学者的关注。本文提供了迄今为止对Commentarii的最广泛的分析,并对教宗的工作进行了新的诠释。它认为,Commentarii代表了15世纪有关教会权威的辩论中的重要文件。本书不仅对launch讽理论进行了广泛的抨击,而且还对皮乌斯在罗马教皇时期发生的特定conc讽威胁进行了报复。;本论文还认为,注释是代表教皇意象演变的转折点。皮乌斯与传统截然不同,将自己的自画像政治化:他在Commentarii中的形象类似于当代意大利王子的​​形象。我的论文从他的目标,技巧和理想以及他对古典意象的运用中追溯了这位王子肖像的轮廓。并解释了这些政治化特征如何在他的精神和时间领域上支持他摇摇欲坠的权威。除了为人道主义者皮乌斯(Pius)的繁荣学术做出贡献之外,本论文还适用于关于这一问题的悠久而丰富的研究传统。中世纪和早期现代教会的权威。它还回应了最近对文艺复兴时期对教皇权力代表作更深入研究的呼吁。通过走这条未知的道路,本论文既扩展又挑战了有关教皇国中君主专制的发展以及近代早期教皇形象的演变的现有学术研究。

著录项

  • 作者

    O'Brien, Emily D.;

  • 作者单位

    Brown University.;

  • 授予单位 Brown University.;
  • 学科 European history.;History Church.
  • 学位 Ph.D.
  • 年度 2005
  • 页码 378 p.
  • 总页数 378
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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