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W.A. Mozarts' 'Die Zauberflote' an arrangement and performance edition for wind instruments and vocal soloists.

机译:W.A. Mozarts的“ Die Zauberflote”是管乐器和人声独奏家的编曲和演奏版。

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摘要

The purpose of this dissertation is to produce a new Harmonie arrangement of Mozart's Die Zauberflote suitable for modern performance, bringing Joseph Heidenreich's 1782 arrangement---one of the great treasures of the wind repertoire---to life for future performers and audiences. I took advantage of the capabilities of modern wind instruments and performance techniques, and employed other instruments normally found in the modern wind ensemble to create a work in the tradition of Heidenreich's that restored as much of Mozart's original thinking as possible. I expanded the Harmonie band to include flute and string bass. Other instruments provide special effects, a traditional role for wind instruments in the Classical opera orchestra.;This arrangement is conceived to be performed with the original vocal soloists, making it a viable option for concert performance or for smaller staged productions. It is also intended to allow the wind players to be onstage with the singers, becoming part of the dramatic action while simultaneously serving as the "opera orchestra." This allows creative staging possibilities, and offers the wind players an opportunity to explore new aspects of performing. My arrangement also restores Mozart's music to its original keys and retains much of his original wind scoring.;This arrangement expands the possibilities for collaboration between opera studios, voice departments or community opera companies and wind ensembles. A suite for winds without voices (currently in production) will allow conductors to program this major work from the Classical era without dedicating a concert program to the complete opera. Excerpted arias and duets from this arrangement provide vocalists the option of using chamber wind accompaniment on recitals. The door is now open to arrangements of other operas by composers such as Mozart, Rossini and Weber, adding new repertoire for chamber winds and bringing great music to life in a new way.
机译:这篇论文的目的是为莫扎特的Die Zauberflote制作一种适合现代表演的新Harmonie编曲,将约瑟夫·海登赖希(Joseph Heidenreich)的1782编曲(风乐的重要宝藏之一)带入未来的表演者和观众的生活。我利用了现代管乐器的功能和演奏技巧,并运用了现代管弦乐队中通常可以找到的其他乐器来创作出海登赖希(Heidenreich)传统的作品,该作品尽可能地还原了莫扎特的原始思想。我扩展了Harmonie乐队,包括长笛和弦贝斯。其他乐器可提供特殊效果,这是古典歌剧乐团中管乐器的传统作用。;这种安排被认为是由原声乐独奏家演奏的,因此使其成为音乐会演出或小型舞台演出的可行选择。它还旨在使吹奏者能够与歌手一起登上舞台,成为戏剧活动的一部分,同时充当“歌剧院乐团”。这提供了创造性的舞台表演可能性,并为吹奏者提供了探索表演新方面的机会。我的安排还使莫扎特的音乐恢复了其原始音调,并保留了他最初的风声计分。;这种安排扩大了歌剧工作室,语音部门或社区歌剧公司与管乐团之间合作的可能性。一套无声管乐(目前正在制作中)将使指挥家能够编排古典时期的这一重要作品,而无需将音乐会计划献给完整的歌剧。从这种安排中摘录的咏叹调和二重唱为歌唱家提供了在独奏会上使用室内风伴奏的选择。现在,这扇门为诸如莫扎特,罗西尼和韦伯等作曲家安排的其他歌剧敞开了大门,为室内乐增加了新的曲目,并以新的方式将美妙的音乐带入生活。

著录项

  • 作者

    Rivera, Anthony.;

  • 作者单位

    University of Maryland, College Park.;

  • 授予单位 University of Maryland, College Park.;
  • 学科 Music.
  • 学位 D.M.A.
  • 年度 2016
  • 页码 31 p.
  • 总页数 31
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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