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A Phenomenological Investigation of Participation in Target-Language Theatre Productions by Undergraduate Learners in Mixed-Level Courses.

机译:大学生学习混合水平课程中目标语言戏剧制作的现象学调查。

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Target-language theatre productions within the university foreign language curriculum offer undergraduate students a uniquely holistic and multifaceted learning environment. One of many possible models is a mixed-level course with undergraduate and graduate students, native speakers and second language learners, collaborating on a joint production.;In this dissertation I present the findings of a phenomenological investigation into the learning experience of undergraduate non-native speaker foreign language learners who participated in target-language theatre productions alongside graduate students and native speakers. I interviewed participants about their experiences in order to better understand how working collaboratively with peers of varying language proficiency impacted their learning. I followed Seidman’s (2006) methodology for conducting phenomenological interviews, and the theoretical lens I used to interpret the interview data draws on Bakhtin’s concepts of dialogized heteroglossia (1981, 1986) and carnival (1965/1968), and on the ecological framework for language learning articulated by van Lier (2000, 2004, 2010).;Important conclusions from this research include the finding that, although undergraduates are initially intimidated by the presence of graduate students and native speakers, they eventually come to value them greatly as role models, and they may begin to envision themselves also someday pursuing graduate study. The initial perception of hierarchy in the course is weakened and blurred when it moves into the production phase, echoing Bakhtin’s (1965/1968) observation that carnival creates a space of social equality and does away with the structures that normally govern social hierarchy. Participants enter into a dialogic relationship with the L2 text that facilitates their heteroglossic appropriation of the target language, and through their exploration of the text and the execution of their individuated responsibilities, they discover and make use of a wide variety of affordances in the learning environment. Through metaxis, they can temporarily suspend their identity and assume a fictitious target-language persona.
机译:大学外语课程中的目标语言戏剧作品为本科生提供了独特的整体和多方面的学习环境。许多可能的模型之一是由本科生和研究生,以母语为母语的人和第二语言学习者共同开发的混合水平课程;在本论文中,我将对非大学本科生的学习经历进行现象学调查的结果。以母语为母语的外语学习者,与研究生和以母语为母语的人一起参加目标语言戏剧的制作。我采访了参加者以了解他们的经历,以便更好地了解与不同语言水平的同伴合作如何影响他们的学习。我遵循赛德曼(2006)的方法进行现象学访谈,而我用来解释访谈数据的理论视角则借鉴了巴赫金关于对话异质性(1981,1986)和狂欢节(1965/1968)的概念,以及语言的生态学框架。 van Lier(2000,2004,2010)阐明了这种学习方式。该研究的重要结论包括以下发现:尽管最初由研究生和以母语为母语的人吓倒了大学生,但他们最终还是非常看重他们作为榜样,而且他们可能也有一天会开始设想自己继续攻读研究生。当进入生产阶段时,对过程中等级制度的最初认识会减弱和模糊,这与巴赫金(Bakhtin)(1965/1968)的观点一致,即狂欢节创造了社会平等的空间,并消除了通常支配社会等级制度的结构。参与者与L2文本建立了对话关系,从而促进了他们对目标语言的异质使用,并且通过对文本的探索和履行各自的职责,他们发现并利用了学习环境中的各种能力。通过metaxis,他们可以暂时中止其身份并承担虚拟的目标语言角色。

著录项

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Education Foreign Language.;Education Higher.;Education Performing Arts.
  • 学位 Ph.D.
  • 年度 2013
  • 页码 384 p.
  • 总页数 384
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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