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The trauma at home: Wives of returning veterans in Greek tragedy.

机译:在家遭受的创伤:希腊悲剧中退伍老兵的妻子。

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摘要

Drawing on feminist theory and recent research on the psychological effects of war trauma (especially PTSD), this study recovers a neglected aspect of women's experiences of war in fifth-century Athens. Three plays by the three Athenian playwrights depict the social and personal concerns of veterans' wives in ways that other evidence from the ancient world does not. By investigating the depiction of wives' experiences of their husbands' homecoming, this dissertation illuminates important aspects of the plays themselves, such as their themes, characters, and structure, as well as Athenian views on war and its potential to disrupt marital relationships.;This study devotes a chapter each to Penelope in the Odyssey, Clytemnestra in Aeschylus' Agamemnon, Deianeira in Sophocles' Trachiniae, and Megara in Euripides' Heracles. Each work addresses a different scenario of the veteran's return and examines potential problems for the family from the perspective of the wife. Chapter 1 situates the project within the framework of existing scholarship on epic and tragedy. In addition, it examines evidence for the military revolution in fifth-century Athens, which allowed large-scale mobilization of troops for the first time in Greek history. Chapter 2, on Penelope, surveys the importance for later tragedies of the epic paradigm of the waiting wife. Chapter 3 explores the perspective of Clytemnestra in the Agamemnon. Although Clytemnestra is portrayed as monstrous in her vengeance, she also articulates clearly the waiting wife's concerns, drawing on tropes from the Odyssey, in her parody of a faithful wife's speech. Chapter 4 analyzes the Trachiniae and shows how Deianeira's past incidents of sexual trauma continue to affect her as she works to heal the rift between herself and her veteran husband. Chapter 5 argues that Euripides' Heracles dramatizes veteran domestic violence and the lack of cause and effect between the actions of a heroic waiting wife, Megara, and the death of her and her children at her husband's hands. Chapter 6 surveys the conclusions of the study with a discussion of waiting wives' concerns in both comedy and tragedy.
机译:借鉴女性主义理论和对战争创伤的心理影响(特别是创伤后应激障碍)的最新研究,这项研究恢复了女性在五世纪雅典战争经历中被忽视的方面。三名雅典剧作家的三部戏剧以古代世界上其他证据所不具备的方式描述了退伍军人妻子的社会和个人关切。通过调查妻子对丈夫的归宿经历的描述,本文阐明了戏剧本身的重要方面,例如主题,性格和结构,以及雅典人对战争的看法及其破坏婚姻关系的潜力。这项研究分别为奥德赛的佩内洛普,埃斯库罗斯的阿伽门农的克吕泰涅斯特拉,索弗克莱斯的Trachaniae的狄安妮拉和欧里庇得斯的赫拉克勒斯的梅加拉分别撰写了一章。每部作品都针对退伍军人返回的不同场景,并从妻子的角度审视家庭的潜在问题。第1章将项目置于现有的史诗和悲剧奖学金框架内。此外,它检查了第五世纪雅典军事革命的证据,这允许希腊历史上第一次大规模动员军队。关于佩内洛普(Penelope)的第2章探讨了等待中的妻子的史诗范式对以后悲剧的重要性。第三章探讨阿伽门农中克吕泰涅斯特拉的观点。尽管克吕泰涅斯特拉(Clytemnestra)的复仇形象被描绘成是可怕的,但她在模仿忠实妻子讲话时也借鉴了《奥德赛》中的比喻,清楚地表达了等待中妻子的担忧。第4章分析了脚趾甲,并说明了Deianeira过去的性创伤事件如何继续影响她,因为她正努力医治自己和资深丈夫之间的裂痕。第五章认为,欧里庇得斯的《赫拉克勒斯》戏剧化了老龄家庭暴力,以及英勇的等待中的妻子梅加拉的举动与丈夫及其子女死亡之间缺乏因果关系。第六章通过对等待中的妻子在喜剧和悲剧中的关注进行讨论,对研究结论进行了调查。

著录项

  • 作者

    Weiberg, Erika L.;

  • 作者单位

    The University of North Carolina at Chapel Hill.;

  • 授予单位 The University of North Carolina at Chapel Hill.;
  • 学科 Classical studies.;Theater history.;Womens studies.
  • 学位 Ph.D.
  • 年度 2016
  • 页码 281 p.
  • 总页数 281
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

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