首页> 外文学位 >The Orient of Europe: The 'mythical image' of India and competing images of German national identity, 1760--1830.
【24h】

The Orient of Europe: The 'mythical image' of India and competing images of German national identity, 1760--1830.

机译:欧洲东方:1760--1830年,印度的“神话形象”和德国国民身份的相互竞争的形象。

获取原文
获取原文并翻译 | 示例

摘要

This dissertation is concerned with German academic and popular interest in India in the late eighteenth and early nineteenth centuries, and how competing images of India signaled profound differences in thinking about the nature and status of German identity.;Much of the writing on German orientalism in the past two decades has concerned the issue of to what degree it resembles orientalism in France and Great Britain, i.e. countries with direct economic and colonial ties to South Asia. What is often overlooked is the explicit identification of Germany with India that is frequently found in the writings of German Indophiles, in this period. The present work shows how German thinkers, especially those associated with the Early Romantic movement, set India up as an "ideal mirror", in which they could perceive the image of the Germany they longed for---a nation whose greatness lay not in political and military power, but in the realm of culture and the spirit. Such an image was especially important during the years of French occupation and the Wars of Liberation against Napoleon. Indian mythology and symbolism were proclaimed as the original sources of German mythology and folklore, just as the Germans themselves were declared to be the direct racial descendants of ancient Indians.;The end of the Wars of Liberation, and the onset of the Restoration era, led to decline of the romantic mythical image of India. As statist visions of German unity rose in prominence, especially in Prussia, this image of the connection between Germany and ancient India took on a new complexion. Politically volatile romantic "Indomania" gave way to a new, more acceptable, ideology---the ideology of Wissenschaft. Linguistic scholars such as Franz Bopp, powerful cultural icons like G.W.F. Hegel, and state officials exercised great power and led Sanskrit studies and Indology in a new direction beginning in the 1820s. The final chapter and conclusion examine the impact of these forces.
机译:这篇论文关注的是德国在18世纪末和19世纪初在印度的学术和大众兴趣,以及印度的竞争形象如何预示着人们对德国身份的本质和地位的深刻分歧。在过去的二十年中,该问题在多大程度上类似于法国和英国(即与南亚具有直接经济和殖民关系的国家)的东方主义。经常被忽视的是,在此期间,德国对印度的明确认同在德国Indophiles的著作中经常出现。本作品展示了德国思想家,特别是那些与早期浪漫主义运动有关的思想家如何将印度设置为“理想的镜子”,在其中他们可以感知到他们渴望的德国的形象-一个伟大的国家政治和军事力量,但在文化和精神领域。在法国占领和解放拿破仑的战争期间,这种形象尤为重要。印度神话和象征主义被宣布为德国神话和民间传说的原始来源,就像德国人被宣布为古代印第安人的直接种族后裔一样;解放战争的结束和恢复时代的来临,导致印度浪漫神话形象的衰落。当统计学家对德国统一的看法日益突出时,尤其是在普鲁士,这种德国与古印度之间联系的形象呈现出一种新的面貌。政治上动荡不安的浪漫主义“ Indomania”被一种更容易接受的新意识形态-维森夏夫特的意识形态所取代。像弗朗兹·博普(Franz Bopp)这样的语言学者,像G.W.F.黑格尔和州官员行使了巨大的权力,并从1820年代开始朝着新的方向领导梵语研究和印度学。最后一章和结论探讨了这些力量的影响。

著录项

  • 作者

    Germana, Nicholas A.;

  • 作者单位

    Boston College.;

  • 授予单位 Boston College.;
  • 学科 History European.;Literature Germanic.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 332 p.
  • 总页数 332
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类
  • 关键词

相似文献

  • 外文文献
  • 中文文献
  • 专利
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号