首页> 外文学位 >The effect of music and no music on pre-performance arousal, perceptions of performance exertion and pain, and evaluations of performance in high school track runners.
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The effect of music and no music on pre-performance arousal, perceptions of performance exertion and pain, and evaluations of performance in high school track runners.

机译:音乐和不听音乐对表演前的唤醒,对表演劳累和痛苦的感知以及对高中田径选手的表现评估的影响。

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摘要

The purpose of this study was to investigate whether high school track runners who regularly listen to music in competition (regular listeners), and those who do not (non-regular listeners), differentially perceive their pre-performance arousal (i.e., tension, enthusiasm, anxiety, energy) and subjective aspects of their performance (i.e., perceived exertion and pain, and their evaluation of the performance) under different conditions of listening or not listening to self-selected music prior to a maximal running effort. In addition, the coach's evaluation of each athlete's performance was examined. A significant multivariate interaction emerged from the analysis of pre-performance arousal. Disordinal interactions indicated that regular listeners in the No Music condition, and non-regular listeners in the Music condition reported greater anxiety and tension than their counterparts who were in the condition that reflected their usual music listening preference (e.g., regular listeners in the Music condition). An ordinal interaction indicated that all participants in the Music condition reported greater enthusiasm, however the effect was more pronounced for nonregular listeners. A multivariate analysis of the subjective aspects of performance yielded a main effect for listener group; regular listeners reported less perceived pain during performance than non-regular listeners. A series of correlations was used to examine the relationship between the pre-performance arousal variables and the subjective performance variables for participants in each music intervention condition. For both conditions, higher tension was associated with greater exertion, and also with greater pain. For participants in the No Music condition, higher pre-performance energy was related with less reported pain during performance. For participants in the Music condition, greater tension was associated with higher coach ratings of performance, and higher enthusiasm was related with greater perceived pain. Participant responses to two open-ended questions regarding the effect of music emphasized the benefits of improved mental state through mood, emotion, and focus, and improved physical state by calming nerves or getting pumped up. Overall, the aforementioned findings suggest that listening to music may influence aspects of pre-performance arousal state and it may also affect the arousal-performance relationship. In addition, it is clear that athlete-participants believed in the positive effects of listening to music.
机译:这项研究的目的是调查在比赛中定期听音乐的普通高中跑步者(正常听众)和不参加比赛的高中田径跑步者(非常规听众)是否对表演前的唤醒(即紧张,热情)有所不同,焦虑,精力)和主观方面的表现(即感觉到的劳累和痛苦,以及对表现的评价),这些情况是在最大的努力之前,在收听或不收听自选音乐的不同条件下进行的。此外,还检查了教练对每位运动员表现的评估。表演前唤醒的分析产生了显着的多元互动。不协调的互动表明,“无音乐”状态下的常规收听者和“音乐”状态下的非常规收听者报告的焦虑和紧张感比那些反映其通常的音乐收听偏好的同行(例如,“音乐”状态下的常规收听者)更大)。顺序互动表明,音乐状态下的所有参与者都表现出更大的热情,但是对于不规则的听众来说,效果更为明显。对表演的主观方面的多变量分析对听众群体产生了主要影响。定期听者报告说,在表演过程中感觉不到的痛苦比不定期听者要少。使用一系列相关性来检查每种音乐干预条件下参与者的演奏前唤醒变量和主观演奏变量之间的关系。对于这两种情况,较高的紧张度与更大的劳累性和更大的疼痛性相关。对于处于“无音乐”状态的参与者,较高的演奏前能量与较少的演奏过程中的疼痛感相关。对于处于音乐状态的参与者,更大的紧张感与教练对表演的更高评价相关,而更高的热情与更大的感知疼痛感相关。参与者对有关音乐效果的两个开放性问题的回答都强调了通过情绪,情感和专注力改善精神状态的好处,以及通过安抚神经或抽气来改善身体状态的好处。总体而言,上述发现表明,听音乐可能会影响表演前觉醒状态的各个方面,也可能会影响表演与表现的关系。此外,很明显,运动员们相信听音乐的积极作用。

著录项

  • 作者

    Todd, Melissa Lee.;

  • 作者单位

    University of Missouri - Kansas City.;

  • 授予单位 University of Missouri - Kansas City.;
  • 学科 Psychology Clinical.
  • 学位 Ph.D.
  • 年度 2006
  • 页码 107 p.
  • 总页数 107
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 医学心理学、病理心理学;
  • 关键词

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