首页> 外文学位 >Black rage in African American literature before the Civil Rights Movement: Frederick Douglass, Harriet Jacobs, Charles Chesnutt, Nella Larsen, Richard Wright, and Ann Petry.
【24h】

Black rage in African American literature before the Civil Rights Movement: Frederick Douglass, Harriet Jacobs, Charles Chesnutt, Nella Larsen, Richard Wright, and Ann Petry.

机译:民权运动之前非洲裔美国人文学中的黑色愤怒:弗雷德里克·道格拉斯(Frederick Douglass),哈里特·雅各布斯(Harriet Jacobs),查尔斯·切斯纳特(Charles Chesnutt),内拉·拉尔森(Nella Larsen),理查德·怀特(Richard Wright)和安·彼得(Ann Petry)。

获取原文
获取原文并翻译 | 示例

摘要

This dissertation traces the gender differences of black rage expressed in African American literature before the Civil Rights Movement. It begins with the captivating theme of white silence and black rage battling each other throughout the century of 1845-1946. After providing a scholarly overview of this theme in literature, I provide some personal reflections on black rage and African American literature during slavery and Jim Crow in Chapter One.; Chapter Two provides an excellent starting point for examining black rage with the two most famous nineteenth century slavery narratives. Frederick Douglass's Narrative of the Life of Frederick Douglass (1845) exemplifies the angry black male as he demonstrates how racism drove him to physically lash out against his slave master. However, Harriet Ann Jacobs's Incidents in the Life of a Slave Girl (1861) provides the opposite reaction; she buries her pain within. Chapter Three leaves the days of slavery and journeys into the post-Reconstruction era with Charles Chesnutt's The House Behind the Cedars (1900) and Nella Larsen's Quicksand (1928) and Passing (1929). Their writings eerily mirror the experiences of Douglass and Jacobs, but there are notable differences. Biracial males battle with rage by passing for white men, whereas biracial females internalize their rage.; Finally, Chapter Four reveals a new perspective on black rage that was present in the inner cities of America during the 1930s and 1940s with Richard Wright's Native Son (1940) and Ann Petry's The Street (1946). Black rage is much more violent when compared to the previous texts. Wright's male protagonist is led to the death chair because of his violence, and Petry's female protagonist experiences a murderous rage.; Some of the most important scholars and thinkers who frame my dissertation are Robert Stepto, William L. Andrews, Noam Chomsky, Jean Fagan Yellin, Barbara Christian, Julianne Malveaux, David L. Blackmore, Martha J. Cutter, Deborah E. McDowell, James Baldwin, bell hooks, and Cornel West.
机译:本文追溯了民权运动之前黑人文学中表达的黑人愤怒的性别差异。它始于整个1845年至1946年的白色沉默与黑色愤怒的迷人主题。在对文学中的这一主题进行了学术综述之后,我对奴隶制和第一章中的吉姆·克劳期间的黑人愤怒和非裔美国文学作了一些个人反思。第二章提供了一个很好的起点,用两种最著名的19世纪奴隶制叙述来考察黑人愤怒。弗雷德里克·道格拉斯(Frederick Douglass)的《弗雷德里克·道格拉斯(Frederick Douglass)人生叙事》(1845)表现了愤怒的黑人男性,因为他表现出种族主义如何驱使他对奴隶主进行肉体抨击。然而,哈丽雅特·安·雅各布斯(Harriet Ann Jacobs)的《奴隶女孩的事件》(1861)提供了相反的反应。她把痛苦埋在心里。第三章留下了奴隶制时代,进入了后重建时代,查尔斯·切斯纳特(Charles Chesnutt)的《雪松背后的房子》(The House Behind Cedars)(1900)和内拉·拉尔森(Nella Larsen)的《流沙》(Quicksand)(1928)和《过世》(1929)。他们的作品怪异地反映了道格拉斯和雅各布斯的经历,但有显着差异。混血儿男性通过与白人男性搏斗而与愤怒搏斗,而混血儿女性则将其愤怒内化。最后,第四章揭示了1930年代和1940年代美国理查德·赖特(Richard Wright)的《原住民儿子》(Native Son)(1940)和安·佩特里(Ann Petry)的《街》(The Street)(1946)在美国内陆城市中出现的关于黑人愤怒的新观点。与以前的文字相比,黑色的怒气更为强烈。赖特(Wright)的男主人公由于暴力而被带到了死亡椅子上,而佩特里(Petry)的女主人公则遭受了杀人狂暴。构成我的论文的一些最重要的学者和思想家是罗伯特·斯特普托(Robert Stepto),威廉·安德鲁斯(William L.鲍德温,铃铛钩和Cornel West。

著录项

  • 作者

    Moore, Steven T.;

  • 作者单位

    The University of Nebraska - Lincoln.$bEnglish.;

  • 授予单位 The University of Nebraska - Lincoln.$bEnglish.;
  • 学科 History Black.; Literature American.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 201 p.
  • 总页数 201
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 非洲史;
  • 关键词

相似文献

  • 外文文献
获取原文

客服邮箱:kefu@zhangqiaokeyan.com

京公网安备:11010802029741号 ICP备案号:京ICP备15016152号-6 六维联合信息科技 (北京) 有限公司©版权所有
  • 客服微信

  • 服务号