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Van Gogh's paintings in the basement: Toward the redemption of art (Vincent van Gogh, The Netherlands).

机译:梵高在地下室的绘画:走向艺术的救赎(荷兰文森特·梵高)。

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This dissertation analyzes the personal letters of the painter Vincent Van Gogh according to the following themes: Van Gogh's Dutch and familial background, Christianity and the social gospel, aesthetic and artistic practices, moral beliefs, and Van Gogh's importance to the postmodern world. Through this methodology, the premise is developed that Van Gogh's artistic beliefs and practices hold important lessons for the contemporary world. The fact that Van Gogh's art is so highly thought of by the general public suggests that the Gospel themes and intentions that motivated his art are universal and remain culturally relevant in our era.; Van Gogh's familial influences stressed social activism; and his view of art as honest craft was linked to his love of rural Holland, where religious belief meant putting the social gospel into action. His father and grandfather were both Protestant pastors holding national positions overseeing welfare programs for the poor in rural Holland. When Van Gogh later became an artist, his aesthetic ideals linked honest labor to the Gospel imperative to "love one another."; Throughout his career, Van Gogh lived with peasants and cloth weavers just as he had with miners in the capacity of a volunteer minister. Van Gogh's artistic beliefs took root in communities where one's vocation had tangible social value. His art is characterized by an earthy spirituality---it is an expressive unity of naturalized form, sacred theme, and social context.; Finally, Van Gogh's sacred artistic example is compared and contrasted with aspects of postmodern artistic belief and practice whereby the content of a work of art and the artist's social obligation are considered irrelevant. The conclusion of this dissertation is that, contrary to such dismissive trends, the need for culturally redemptive art in the twenty-first century is greater than ever: art removed from the Gospel's transformative purpose withers.
机译:本文根据以下主题对画家梵高的个人来信进行了分析:梵高的荷兰和家族背景,基督教和社会福音,美学和艺术实践,道德观念以及梵高对后现代世界的重要性。通过这种方法,可以得出前提,梵高的艺术信仰和实践为当代世界提供了重要的教训。梵高的艺术受到了广大公众的高度重视,这一事实表明,激发他的艺术的福音主题和意图是普遍的,并且在我们这个时代仍然具有文化意义。梵高的家族影响力强调社会行动主义;他将艺术视为诚实的工艺与他对荷兰乡村的热爱联系在一起,那里的宗教信仰意味着将社会福音付诸实践。他的父亲和祖父都是新教牧师,担任国家职位,负责监督荷兰农村贫困人口的福利计划。梵高后来成为一名艺术家时,他的美学理想将诚实的劳动与福音书联系在一起,以“彼此相爱”。梵高在整个职业生涯中都与农民和布织工一起生活,就像他与矿工一样,担任志愿部长。梵高的艺术信仰扎根于其职业具有切实社会价值的社区。他的艺术以朴实的灵性为特征-它是自然形式,神圣主题和社会背景的表达统一。最后,将梵高的神圣艺术典范与后现代艺术信仰和实践进行了比较和对比,后者认为艺术品的内容和艺术家的社会义务无关紧要。本文的结论是,与这种不屑一顾的趋势相反,在二十一世纪对文化救赎艺术的需求比以往任何时候都更加重要:从福音书的变革性目的中删除的艺术正在枯萎。

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