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Transvestism in the Middle Ages: The Venusfahrt of Ulrich von Liechtenstein.

机译:中世纪的易装癖:乌尔里希·冯·列支敦士登的维纳斯法尔特。

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摘要

The focus of this dissertation is the Venusfahrt of Ulrich von Liechtenstein and critical responses to its reception. Recent research until now has viewed the episode of Ulrich's cross-dressing as the Lady Venus primarily from a literary perspective, as one episode in the portrayal of a knight dedicated to Minnedienst. Many scholars have found humor in the fact that a medieval knight would demean himself and dress as a woman, merely to demonstrate his love for a particular lady. Others have interpreted the Venus episode, and the Frauendienst in general, as a parody of hohe Minne, courtly love, or the values of the Hohenstaufen era. Few critics have examined the Venus journey for what it is: a prime example of a medieval knight practicing transvestism. My investigation shows how the portrayal of Ulrich's transvestism during the Venusfahrt differs substantially from the portrayal of transvestism in other medieval texts and corresponds more closely to the character sketches of transvestism derived from recent psychological and sociological studies conducted on modern-day transvestites. Like modern-day transvestites, the character of the knight Ulrich displays elements of deviant sexual development, which include masochistic and fetishistic behaviors. While dressed as the Lady Venus the knight Ulrich lusts after a lady he meets in church, lifts his veil for a kiss and fantasizes about kissing as many ladies as possible. Similarly, the erotic response to cross-dressing is one of the defining personality characteristics of modern-day transvestites. Ulrich enjoys dressing as the Lady Venus in public, and strives to outdress the noble ladies he meets during the Venusfahrt. He is also extremely proud of his specially made womens' wardrobe. Based on the research conducted in this study, the knight Ulrich's motivations for conducting his Venusfahrt are questioned and several of the more difficult to understand episodes in the Frauendienst are reexamined, in order to answer the question: "Was Ulrich von Liechtenstein a transvestite from medieval times?".
机译:本论文的重点是乌尔里希·冯·列支敦士登的维纳斯法尔特及其对之的批判性回应。到目前为止,最近的研究主要是从文学的角度将乌尔里希的化装扮成金星夫人,作为纪念献给明尼迪恩斯特的骑士的一集。许多学者发现幽默的事实是,中世纪的骑士会贬低自己,打扮成女人,只是为了表达对特定女士的爱。其他人则把维纳斯集和一般的弗劳恩迪恩斯特解释为胡安·明​​恩(Hohe Minne),宫廷爱情或霍恩施陶芬时代价值观的模仿。很少有评论家检查过金星的旅程是什么:中世纪骑士从事异装癖的典型例子。我的调查表明,维纳斯法特时期乌尔里希的易装癖的描写与其他中世纪著作中的易装癖的描写有很大不同,并且与近代对易装癖者进行的近期心理学和社会学研究得出的易装癖的人物素描更为接近。像现代异装癖者一样,骑士乌尔里希(Ulrich)的性格表现出异常的性发展要素,其中包括受虐和拜物教行为。骑士乌尔里希(Ulrich)打扮成金星女士时,在他在教堂遇到的一位女士后渴望着,掀起面纱亲吻,幻想着尽可能多地亲吻女士。同样,对异装癖的色情反应是现代异装癖者定义的个性特征之一。乌尔里希(Ulrich)在公共场合喜欢扮成金星女士,并努力掩饰他在金星时期遇到的高贵女士。他也为自己的特制女士衣柜感到非常自豪。根据这项研究进行的研究,对骑士乌尔里希(Ulrich)进行维纳斯法尔(Venusfahrt)的动机提出了质疑,并对弗劳恩迪恩斯特(Frauendienst)中一些较难理解的事件进行了重新审查,以回答以下问题:“乌尔里希·冯·列支敦士登是中世纪的异装癖者吗?时间?”。

著录项

  • 作者

    Frankki, James Ludvig.;

  • 作者单位

    The University of Wisconsin - Madison.;

  • 授予单位 The University of Wisconsin - Madison.;
  • 学科 Literature Medieval.; Psychology Behavioral.
  • 学位 Ph.D.
  • 年度 2007
  • 页码 300 p.
  • 总页数 300
  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 世界文学;心理学;
  • 关键词

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