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Moving from cantaleta to encanto or challenging the modernization posture in communication for development and social change: A Colombian case study of the everyday work of development communicators.

机译:从坎塔莱塔转变为现实,或挑战传播促进发展和社会变革的现代化态势:哥伦比亚关于发展传播者日常工作的案例研究。

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The field of international development communication has given scant attention to the role of communication practitioners who are critical players in facilitating participation and community engagement in development. Despite growing demand for the training of these practitioners internationally, most of them work informally at the grassroots in ways that are poorly understood. This study aims to illuminate development communication practice by examining the everyday work of a freelance team of practitioners in Colombia. The study uses feminist ethnographic methods to describe and analyze the ways practitioners deal with professional dilemmas and power dynamics intrinsically present in development interventions. It focuses on the interactions and the narratives of these practitioners, and contrasts them against the major conceptual traditions of the field: modernization-related perspectives and critical/participatory views of social change. The analysis shows that the study's participants engage in self-reflection of their professional dilemmas, choices and understandings of communication. This self-reflection recognizes the opportunities, limitations, and failures of both alternative and protest-oriented media in the Latin American contexts, as well as the shortcomings of social marketing/behavior change models. The ethnography of this team's experience in the making of communication projects provides insight into their work conditions, the reasons for their "impure" mixing of theories and models, and their struggle to advance their long-term agendas of social change, even within short-term modernization-oriented programs. The main findings of the study are the principles used by these Colombian communicators: the aesthetic principle they call encanto (a sensuous, body-connected and poetic component that permeates language and communication encounters); and an ethical principle of trust-building, called confianza. Both principles represent an alternative to counterbalance the power asymmetries characterizing the development-as-modernization logic and particularly the modernization posture (called cantaleta) that permeates and hinders communication encounters.
机译:国际发展传播领域很少关注传播从业者的作用,传播从业者在促进参与和社区参与发展中起着至关重要的作用。尽管国际上对这些从业人员培训的需求不断增长,但他们中的大多数人还是以人们不了解的方式在基层非正式地开展工作。这项研究旨在通过检查哥伦比亚从业者自由职业者团队的日常工作来阐明发展交流实践。该研究使用女权主义的人种志方法来描述和分析从业人员处理发展干预措施中固有的专业困境和权力动态的方式。它着重于这些从业者的互动和叙述,并将它们与该领域的主要概念传统进行对比:与现代化相关的观点和对社会变革的批判性/参与性观点。分析表明,研究参与者对自身的专业困境,选择和沟通理解进行了自我反思。这种自我反省认识到在拉丁美洲的情况下替代性和抗议性媒体的机会,局限和失败,以及社会营销/行为改变模式的缺陷。该团队在沟通项目制定方面的经验民族志提供了他们的工作条件,他们的理论和模型“不纯”混合的原因以及他们为推进其社会变革的长期议程而奋斗的努力的见解,即使是在短期内也是如此。面向现代化的术语。该研究的主要发现是这些哥伦比亚交际者所使用的原则:他们称之为审美的原则encanto(一种渗透到语言和交流中的感性,与身体联系和诗意的成分);建立信任的道德原则,称为Confianza。两种原则都代表了一种替代方案,可以用来抵消表现为现代化发展逻辑,特别是渗透并阻碍交流的现代化态势(称为cantaleta)的权力不对称。

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