声明
INTRODUCTION
I. Literature Review
1. 1 Introduction to Mauberley
1.2 Pound’s Letters
1.3 Studies on Identifying Voices Abroad
1.4 Studies at Home
1.5 Studies on Tracing Sources
1. 6 Studies on Other Aspects
II. Significance of the Study
III. Layout of the Thesis
CHAPTER ONE ORIGIN AND EVOLUTION OF FLANEUR:FROM POE TO BENJAMIN
I. Experience of the Crowd:Poe’s“The Man of the Crowd”
II. Seeking and Depicting Modernity: Baudelaire’s “The Painter of Modern Life”
III. Double Consciousness:Benjamin’s The Writer of Modern Life
IV. Features of Flaneur
CHAPTER TWO MAUBERLEY’S CONTINUITY OF FLANEUR’S TRANDITIONAL IMAGE
I. Association with Modern Experience
1.1 Crisis of Representation
1.2 Alienation of“Elitist”Literati
1.3 Relationship with Past Tradition
II. Observing and Depicting Modern Life
III. Empathy and Double Consciousness
3.1 Empathy:Different Voices or Personae
3.2 Double Consciousness:Irony and Distance
CHAPTER THREE MAUBERLEY’S TRANSFORMATION OF FLANEUR’S TRANDITIONAL IMAGE
I. Less Reliance on Presence in a Specific Temporal Space
II. Intellectual Wandering
III. Deployment of Mythical Framework
CONCLUSION
参考文献
致谢
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