ABSTRACT
摘要
ACKNOWLEDGEMENTS
CONTENTS
INTRODUCTION
CHAPTER ONE BERGSON’S PHILOSOPHY:A THEORETICAL FRAMEWORK FOR LITERARY ANALYSIS
1.1 Introduction to Henri Bergson
1.2 Bergson’s Theories
1.2.1 Intuition
1.2.2 Life Impetus
1.2.3 Durée
1.3 Bergson’s Philosophy as a Theoretical Framework for Literary Analysis
CHAPTER TWO ART AS A MEANS OF TRANSCENDENCE
2.1 Anderson the Novelist’s Transcendence
2.2 The Incomplete Transcendence of His Grotesques
2.2.1 TheTough Crust of Matter Enveloping the Inner Reality
2.2.2 Concepts Breaking Up the Continuous Flow of Inner Life
CHAPTER THREE FICTION AS COGNITION THROUGH THE INTUITION
3.1 The Narrator’s Discovery of a Self
3.2 George Willard’s Maturing Process as an Artist
CHAPTER FOUR ANDERSON’S TECHNIQUES IN THE PERSPECTIVE OF BERGSON’S PHILOSOPHY
4.1 The Fluid Narrative Structure
4.2 Important Moments in the Durée of Life
4.3 Language:To Evoke a Sense of Fluid Reality
CONCLUSION
NOTES
WORKS CITED
攻读学位期间取得的研究成果
个人简况及联系方式
声明