首页> 外文会议>Symposium on Materials Issues in Art and Archaeology VI, Nov 26-30, 2001, Boston, Massachusetts, U.S.A. >Egyptian Faience Inlay Techniques: a process for obtaining detail and clarity by refiring
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Egyptian Faience Inlay Techniques: a process for obtaining detail and clarity by refiring

机译:埃及彩陶镶嵌技术:通过烧制获得细节和清晰度的过程

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The faience of the New Kingdom period is frequently decorated with an expanded palette of red, black, and yellow. This polychrome decoration was often accomplished by inlaying one color of paste into another. The aesthetic success of these inlay techniques reveals a fundamental understanding of the materials' characteristics before, during, and after firing, and knowledge of how to manipulate these characteristics. The goal of this research is to more fully understand ancient Egyptian faience inlay techniques by characterizing the properties of a set of standard reproductions. As the most aesthetically successful reproductions were obtained using pre-fired components, a series of experiments was performed to quantify changes in glaze color, glaze gloss, and depth of glaze penetration upon refiring. Data was gathered from replicated samples and cross-sections using SEM, UV-VIS spectrophotometry, colorimetry, and optical microscopy. Visual comparisons were made between cross-sections of replicated inlays and examples of broken ancient Egyptian faience inlays.
机译:新王国时期的陶器经常以红色,黑色和黄色的扩展调色板进行装饰。通常通过将一种颜色的糊状物嵌入另一种颜色来完成这种彩色装饰。这些镶嵌技术的美学成功揭示了对烧制之前,之中和之后材料特性的基本了解,以及如何操纵这些特性的知识。这项研究的目的是通过描述一组标准复制品的特性来更全面地理解古埃及彩陶镶嵌技术。由于使用预烧制的组件获得了美学上最成功的复制品,因此进行了一系列实验,以量化釉料颜色,釉料光泽度以及烧成后釉料渗透深度的变化。使用SEM,UV-VIS分光光度法,比色法和光学显微镜从重复的样品和横截面收集数据。对复制的镶嵌物的横截面和破碎的古埃及彩陶镶嵌物的实例进行了视觉比较。

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