首页> 外文会议>Symposium on Materials Issues in Art and Archaeology VI, Nov 26-30, 2001, Boston, Massachusetts, U.S.A. >Treatment and Analysis of a Paint Chip from 'Water Lilies' a Fire Damaged Monet
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Treatment and Analysis of a Paint Chip from 'Water Lilies' a Fire Damaged Monet

机译:“睡莲”着火的莫奈漆膜的处理和分析

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A museum fire in 1958 severely damaged a Monet "Water Lilies" (1916-1926) painting that was on display. The surface of the painting is very dark with areas of blistering and charring. Over the years, traditional techniques have been found to be ineffective at removal of the soot and char from the surface. The painting, which is now in the care of the New York University (NYU) Conservation Center of the Institute of Fine Arts, was the subject of a study to determine if atomic oxygen treatment could remove the soot and char without damaging the fragile painting underneath. For test purposes, a small chip of paint was removed from the edge of the painting by a conservator at NYU and supplied to NASA Glenn Research Center for atomic oxygen treatment and analysis. The diffuse spectral reflectance, at three locations on the paint chip, was monitored at intervals during the atomic oxygen treatment process. Photo documentation of the chip during treatment was also performed. The color contrast was calculated from the spectral reflectance data as a function of treatment duration. Results of the testing indicated that the contrast improved as a result of the treatment, and the differentiation of colors on the surface was significantly improved. Soot and char could be removed without visibly affecting the gross surface features such as impasto areas. These results indicate the feasibility for the treatment of the "Water Lilies" painting.
机译:1958年的一场博物馆大火严重破坏了莫奈展出的一幅《睡莲》(1916-1926年)的画作。画的表面很暗,有起泡和烧焦的区域。多年以来,发现传统技术无法有效去除表面的烟灰和炭。这幅画现在由美术学院纽约大学(NYU)保护中心保管,是研究的主题,目的是确定原子氧处理是否可以去除烟灰和焦炭而不会损坏下面的易碎画。 。出于测试目的,纽约大学的储藏室从油漆的边缘去除了一小片油漆,并提供给NASA格伦研究中心进行原子氧处理和分析。在原子氧处理过程中,每隔一段时间要监测油漆芯片上三个位置的漫反射光谱反射率。还进行了治疗期间芯片的照片记录。根据光谱反射率数据计算颜色对比度,作为处理持续时间的函数。测试结果表明,处理后对比度得到改善,并且表面上的颜色差异得到显着改善。可以去除烟灰和焦炭,而不会明显影响表面的总体特征,例如无痕区域。这些结果表明治疗“睡莲”画的可行性。

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