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Illuminance distributions, visual response and limits for conservation of exhibits in Admiral Cheng Ho Gallery, Malaysia

机译:海军上将Cheng Ho画廊展览的照明分布,视觉响应和限制,马来西亚

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This paper presents i) literature review of illuminance limits for conservation of exhibits; ii) pilot study on illuminance levels and distributions, air temperatures and relative humidity, RH and iii) survey results on visitors' visual feedbacks on the exhibits' conditions conducted at the Admiral Cheng Ho Gallery (Museum of History and Ethnography), Stadthuys, Melaka, Malaysia. Indicators for visual discomfort are observed from objectives ii and iii. The fieldwork was a pilot survey in the west facing gallery during high period of daylight distributions (14.00–16.00hr) for a full week in March 2010. Results showed illuminance levels exceeded allowable exposure limits for some showcases. Measured air temperatures were much higher than accepted comfort range especially with opened windows in the afternoon and the RH levels were within the prescribed range. The survey identified the combination of natural daylight and artificial lighting deteriorated the exhibits' conditions through fading, distortion, dirt and dust. The showcases were placed against and opposite the fully opened windows. Thus, the presence of sunlight, daylight and provision for external views in the gallery produced glare and veiling reflections problems on the glass showcases. These situations may demonstrate the need for proper maintenance and appropriate controlled shading system. The evaluation of daylight distributions may serve as future conservation measure for the exhibits.
机译:本文提出了展品保护的照度限制的文献综述; ii)关于照明水平和分布,空气温度和相对湿度,RH和III)调查结果对参观者的视觉反馈对展览会的视觉反馈(历史和民族纪念馆博物馆),Stadthuys,Melaka进行的展览会的视觉反馈马来西亚。从目标II和III观察到视觉不适的指标。在2010年3月,在日光分布的高期(14.00-16.00HR)期间,该实地工作是西部面向舞台的试点调查。结果显示了一些展示的照度水平超过了允许的曝光限制。测量的空气温度远高于接受的舒适度范围,特别是在下午的开口窗口,RH水平在规定范围内。该调查确定了自然日光和人工照明的结合通过褪色,扭曲,污垢和灰尘来恶化。将陈列柜与完全打开的窗户放置在和对面。因此,在画廊中存在阳光,日光和外部视图的规定在玻璃展示中产生了眩光和遮蔽的反射问题。这些情况可以证明需要适当的维护和适当的受控着色系统。日光分布的评估可以作为展品的未来保护措施。

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