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The Human, the Mechanical, and the Spaces in between: Explorations in Human-Robotic Musical Improvisation

机译:人类,机械和空间之间的空间:人体机器人演义的探索

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HARMI (Human and Robotic Musical Improvisation) is a software and hardware system that enables musical robots to improvise with human performers. The goal of the system is not to replicate human musicians, but rather to explore the novel kinds of musical expression that machines can produce. At the same time, the system seeks to create spaces where humans and robots can communicate with each other in a common language. To help achieve the former, ideas from contemporary compositional practice and music theory were used to shape the system's expressive capabilities. In regard to the latter, research from the field of cognitive psychology was incorporated to enable communication, interaction, and understanding between human and robotic performers. The system was partly developed in conjunction with a residency at High Concept Laboratories in Chicago, IL, where a group of human improvisers performed with the robotic instruments. The system represents an approach to the question of how humans and robots can interact and improvise in musical contexts. This approach purports to highlight the unique expressive spaces of humans, the unique expressive spaces of machines, and the shared spaces between the two.
机译:哈迪(人力和机器人音乐演奏)是一种软件和硬件系统,使音乐机器人能够与人类表演者开始即兴。该系统的目标不是复制人类音乐家,而是探索机器可以生产的新型音乐表达。与此同时,系统旨在创建人类和机器人可以以共同语言互相通信的空间。为了帮助实现前者,来自当代成分实践和音乐理论的思想,用于塑造系统的表现能力。关于后者,纳入了认知心理领域的研究,以实现人类和机器人表现者之间的通信,互动和理解。该系统与IL芝加哥芝加哥高概念实验室的居住部分部分开发,其中一群人类改进者与机器人仪器进行。该系统代表了一种方法来说,人类和机器人在音乐环境中如何互动和即兴化的问题。这种方法声称突出了人类独特的表达空间,机器独特的表现空间,以及两者之间的共用空间。

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