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Attempt on Costume from Image to Object——Restoration of Clothes Worn by Dunhuang Fresco Figure

机译:从图像到对象的服装尝试 - 敦煌壁画图恢复的衣服

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This essay has three Dunhuang frescos as its research subjects,and it attempts to restore the image of clothing worn by six figures depicted among them.Image restoration means to restore the whole appearance of an image by analyzing the clothing structure,the choice of material,the results of color restoration testing and the reproduction of pattern.Ultimately,the clothes on the fresco are transformed into a three dimensional object.Our team consists of professor Jiang Yuqiu and students from the Beijing Institute of Fashion Technology.We will restore six clothing items including robes,short coats,half-arm shawls,skirts,capes etc.The clothing items were shown on the exhibition,Draping clothes-art Exhibition of Dunhuang Fashion held at the Beijing Institute of Fashion Technology in Oct.2013.We will continue research on Chinese fashion history in order to pass on the traditional techniques of plant dyeing and hand embroidery.In conclusion,the quintessence of Dunhuang fresco fashion is inimitable,but the real value lies in the technique.
机译:这篇文章有三个敦煌壁画为研究对象,并试图恢复的服装由them.Image恢复装置中所描绘的六位数佩戴的图像通过分析服装结构恢复图像的整机外观,材料的选择,色彩还原测试和pattern.Ultimately的再现的结果,对壁画的衣服都变成了三维object.Our团队由教授蒋吁求和时尚Technology.We北京理工大学的学生将恢复6件衣物包括长袍,短大衣,半臂披肩,裙子,披肩etc.The衣物被显示在展览,悬垂敦煌时尚的衣服,艺术展在时尚科技的Oc​​t.2013.We北京学院举办将继续研究就为了通过对植物染色,手工embroidery.In结论的传统技术中国时尚史,敦煌壁画时尚的精髓是可模仿,但真正的价值在于技术。

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