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The virtual concreteness of the architectural project Ideas and experimentations for a digital archive of the Italian Masters work in the 20th century

机译:建筑项目的虚拟具体性,即意大利大师在20世纪工作的数字档案馆的实验

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We propose to illustrate a methodological approach aimed to establish a "Digital archive of the Italian Masters work in the second half of the 20th century". To this end, we consider the architectural project -from its graphic layout- as a cultural heritage. Being as part of the field of new representational forms investigation, this work aims at designing, analyzing and communicating architecture. Thanks to its wide professional relapses, its prefiguration of architectural projects and its diffusion through different media, this is a highly developed research area (also at an international level). This is due to continuous development and usage of informatics technologies also in the architectural representation field. New forms of multimedia communication allow using image in all of its forms, from movement to "real-time" visualization, to the socalled "augmented reality"; so we overcome the text and image dichotomy using the iconic processing as a critical-interpretative instrument. Computer modeling techniques, used for the project communication at different scales, are particularly suited for the analysis of architecture - especially the not-built-ones. They allow the reconstruction of the design process which lead to the spatial, morphological, functional configuration. Italian architects of the second half of last century, represented the national vanguard of contemporary architectural culture through their works. Going over the evolution of their design experimentations we need to involve both the institutional structures delegated to project materials storage, and those responsible for the valorization and dissemination of the architectural culture in Italy.
机译:我们提出来说明方法论的办法,旨在建立一个“意大利大师作品的数字化档案,在20世纪下半叶”。为此,我们考虑的建筑项目 - 从它的图形布局 - 作为一种文化遗产。作为为新的表达形式的调查,这项工作的目的是设计,分析和通信架构领域的一部分。由于其广泛的专业复发,其建筑项目的预表,并通过不同的媒体的扩散,这是一个高度发达的研究领域(也是在国际层面)。这是由于不断发展和信息技术也在建筑表示域中的使用。多媒体通信的新形式允许使用图像中所有形式,从运动到“实时”可视化,以所谓的“增强现实”;所以我们采用标志性的处理为关键解释性文书克服了文字和图片的二分法。计算机建模技术,用于在不同尺度的项目交流,特别适用于建筑的分析 - 尤其是没有内置的广告。它们允许设计方法,该方法导致的空间,形态,功能结构的重建。上个世纪下半叶的意大利建筑师,代表当代建筑文化通过他们的作品在全国排头兵。去在他们的设计性实验的演变,我们需要委托给项目物资储备两种体制结构,以及那些负责在意大利建筑文化的物价稳定措施和传播涉及。

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