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Teaching Multimodal Ethnography with 'New' Media Technologies for WMSCI 2010

机译:用“新”媒体技术与WMSCI 2010的“新”媒体技术教授多式式民族术

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In "A Pedagogy of Multiliteracies: Designing Social Futures," the New London Group established a four-step platform to transform students' approaches to learning and literacy. The authors of this paper build upon that vision, combining it with those of Richardson, Reed, Borsheim, Jenkins, and others who insist that novel approaches to pedagogy are needed to ground budding anthropologists in the emerging setting of digital scholarship and its visual, audible and interactive settings. Initiated in 2008, the College of Charleston's "Center for Expressive Culture" has engendered new approaches to teaching and learning that address critical media literacies for students of the social sciences and humanities. New and readily available technologies enable the documentation of cultural objects for a fresh generation of ethnographers; they also enhance the collection, organization and visualization of data. In this paper, we discuss the experience of creating multiliterate students from a number of disciplines; we consider the expansion of field sites to virtual communities and explore the lessons learned after three semesters of a course aimed at teaching expressive cultural research methods to undergraduates. Best practices are examined in light of obstacles like the time-consuming nature of ethnographic research and multimedia production, the importance of teaching both theory and practice in depth, and the need to address ancillary but important issues like ethics and social responsibility. The paper explains how, within the changing landscapes of social media, intellectual property, and information literacy, students learned to operationalize ideological theories in praxis; in the process, they confronted language and its relationship to culture and society even as they tackled the fundamentals of producing ethnographies and documentaries in the emergent world of new media technology.
机译:在“多象的教育学:设计社会期货”,“新伦敦集团建立了一项四步平台,以改变学生的学习和识字方法。本文的作者建立在该愿景之上,将其与Richardson,Reed,Borsheim,Jenkins和其他坚持认为新的教育方法的其他方法相结合,以对数字奖学金的新出现环境和视觉,听觉的和交互式设置。在2008年开始,查尔斯顿的“表达文化中心”学院为教学和学习提供了新的方法,这些方法应对社会科学和人文学科的关键媒体文学。新的和易于提供的技术使文化物体的文档能够为新生的民族计数器进行文化物品;他们还增强了数据的集合,组织和可视化。在本文中,我们讨论了从许多学科创建多​​人学生的经验;我们考虑将现场网站扩展到虚拟社区,并探讨旨在教学表现力的文化研究方法到本科生的三个学期后的经验教训。鉴于民族图和多媒体产量的耗时性,凭借耗时性,教学理论和实践深度的重要性,以及满足辅助的必要性,如道德和社会责任等重要问题的重要性。本文解释了社会媒体,知识产权和信息素养的不断变化的景观,学生学会了普拉西斯思想理论的学习;在此过程中,他们遇到了语言及其与文化和社会的关系,即使他们解决了新媒体技术的新媒体世界的纪念和纪录片的基础知识。

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