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Infrared thermography in the restoration of cultural properties

机译:红外热成像在恢复文化特性

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Some of the work carried out at DETEC on the use of infrared thermography in the architectural restoration field is examined. Three different techniques, pulse thermography (PT), modulated thermography (MT) and pulse phase thermography (PPT) are analysed through the control of some art treasures such as mosaics and frescoes. In particular, the following artefacts are considered: mosaics covering some external walls of the building of the Faculty of Engineering of Naples, frescoes in the Duomo of Sarno, frescoes in the Cripta SS. Stefani in Vaste (Le), mosaics and frescoes in the Archeological Museum of Naples coming from Pompei and Ruvo. It is found that the choice of the technique depends on the specific surface to be tested: if only qualitative information about detachments and cracks are needed the pulse thermography is sufficient, if the surface is not very sensitive to temperature rising the pulse phase thermography can be applied which gives information about the location of the defected zone. If instead, the analysis regards rare art treasures lockin thermography is the only response.
机译:检查了在建筑修复领域在建筑恢复场中使用红外热成像进行的一些工作。通过控制诸如马赛克和壁画等一些艺术品来分析三种不同的技术,脉冲热成像(PT),调制的热成像(MT)和脉冲相热法(PPT)。特别是,以下人工制品被认为:马赛克覆盖了那不勒斯工程学院建筑的一些外墙,在萨诺大教堂的壁画中壁画,在克莱特察SS中的壁画。在Vaste(Le),马赛克和壁画的斯特凡尼在庞贝和鲁沃的那不勒斯考古博物馆中。结果发现,该技术的选择取决于要测试的特定表面:如果需要有关脱离和裂缝的定性信息,则脉冲热成像足够,如果表面对温度上升的脉冲相热成像不太敏感应用,提供有关缺陷区域位置的信息。如果代替,分析问候罕见艺术宝藏锁定热成像是唯一的响应。

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