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NATURE-INSPIRED ARCHITECTURE OF LAURIE BAKER AND TOYO ITO: A COMPARISON

机译:Laurie Baker和Toyo Ito的自然启发建筑:比较

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Architects dialogue with "nature" in different ways. To some, nature is considered part of architectural space and to some separate but crafted to give the illusion of a continuum. For both, nature inspires and the actual interface with nature determines their architecture. An enquiry based on the manner of this interface is the basis of this paper. The objective is to investigate what prompts an architect to construct this interface and how it impacts architecture. The expression of this interface in terms of elements of architecture and resulting form, space, structure and material will be explored in this paper, through a discussion based on a comparison between the works of two architects, Laurie Baker and Toyo Ito. Simon Unwin's elements of architecture will be used to construct a theoretical framework for architectural elements and Heidegger's theory on "place" will provide a phenomenological base of enquiry. This will be illustrated in terms of architectural precepts and expression in the architecture of Laurie Baker and Toyo Ito with respect to the formalizing of form and structure. Buildings of both architects will be analysed with respect to their connection with nature. Comparative discussion of five projects of each architect in their respective treatment of architectural elements such as material, roof, and wall and structure and skin will demonstrate the language of each architect in its mode of translating nature into architecture. The paper will suggest that culture as in beliefs, through religion influence architectural thought and has brought out a diversity in approach seen in the work of these two architects which has in turn been tempered by local traditions and context.
机译:建筑师以不同方式与“自然”对话。对某些人来说,性质被认为是建筑空间的一部分,并分开但制作以赋予连续性的幻觉。对于这两者来说,性质激励和与自然的实际接口决定了它们的架构。根据本界面的方式进行询问是本文的基础。目标是调查架构师构建该界面的原因以及它如何影响架构。本文将通过基于两位建筑师,Laurie Baker和Toyo ITO的作品的比较,在本文中探讨了该界面的表达和产生的形式,空间,结构和材料的形式,空间,结构和材料。 Simon Unwin的架构元素将用于构建建筑元素的理论框架,海德格尔在“地方”的理论将提供询问的现象学基础。这将在劳蒂贝克和东洋ITO的建筑中的建筑戒律和表达方面说明,方面的形式和结构的形式化。两位建筑师的建筑将在与自然的联系方面分析。对每个建筑师五个项目的比较讨论在各自治疗材料,屋顶和墙壁和结构和结构和皮肤中的各自治疗中将展示其在将性质转化为架构的模式中的每个建筑师的语言。本文将暗示通过宗教影响建筑思想的信仰中的文化,并在这两种建筑师的工作中提出了多样性,这两种建筑师又通过当地传统和背景锻炼。

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