首页> 外文会议>Human Factors and Ergonomics Society annual meeting >MUSCULAR FORCES AND JOINT ANGLES IN SMALL-HANDED PIANISTS: A PILOT STUDY ON THE 7/8 SIZE KEYBOARD VERSUS THE FULL SIZE KEYBOARD
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MUSCULAR FORCES AND JOINT ANGLES IN SMALL-HANDED PIANISTS: A PILOT STUDY ON THE 7/8 SIZE KEYBOARD VERSUS THE FULL SIZE KEYBOARD

机译:小钢琴手的肌肉力量和关节角度:7/8尺寸键盘与全尺寸键盘的先导研究

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This pilot study examined whether the use of a 7/8 keyboard contributed to the physical ease of small-handed pianists in comparison with the conventional piano keyboard. A secondary research question focused on the transition from one keyboard to the other. For the purposes of this study, we adopted David Steinbuhler's postulated hand span of 8 inches or less as defining a "small-handed" pianist. The goal was to measure muscle loading and hand span during performance of the excerpt. Data collection included each participant being monitored using electromyography via surface electrodes, which were attached to the upper back/shoulder, parts of the hand and arm, and the masseter muscle of the j aw. Subjects were also fitted with electrogoniometers to capture how the span from the first metacarpophalangeal (MCP) joint to the fifth MCP joint moved according to performance demands, as well as recording wrist flexion and extension, radial and ulnar deviation. The findings were that small-handed pianists preferred the smaller keyboard and were able to transition smoothly between it and the conventional keyboard. The maximal angle of hand span while playing a difficult piece averaged about 5° smaller on the radial side and 10° smaller on the ulnar side for the 7/8 keyboard, leading to perceived comfort (ease) and better performance as rated by the subjects.
机译:这项初步研究检查了与传统钢琴键盘相比,使用7/8键盘是否有助于小手钢琴演奏者的身体舒适。第二个研究问题集中在从一种键盘到另一种键盘的过渡上。为了本研究的目的,我们采用了David Steinbuhler假定的8英寸或更小的手跨度来定义“小手”钢琴家。目的是在摘录过程中测量肌肉负荷和手跨度。数据收集包括使用肌电图通过表面电极对每个参与者进行监测,这些表面电极连接到上背部/肩膀,手和手臂的部分以及颚的咬肌。受试者还配备了电子测角仪,以捕获从第一掌指(MCP)关节到第五MCP关节的跨度如何根据性能要求移动,并记录腕部的屈伸,伸张,尺骨和尺骨偏斜。研究发现,小钢琴家偏爱较小的键盘,并且能够在键盘和传统键盘之间平稳过渡。对于7/8键盘,演奏难度较大的乐器时,最大手掌跨度在the骨侧平均减小约5°,在尺骨侧平均减小约10°,从而使被测者感到舒适(轻松)并获得更好的性能(按受试者的评分) 。

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