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Design, engineering, production and realisation of spatial glass structures for 'Digital Baroque' architecture

机译:设计,工程,生产和实现“数字巴洛克式”建筑的空间玻璃结构

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Architects mainly generate the new Digital Baroque designs for buildings with their arbitrary and non-rectilinear form, from sculptural considerations. All lessons from past decades, where systemized spatial structures and economical building industrialization and their regularities were developed, the do's and don'ts were learned, seem forgotten. The load bearing structures of these buildings, disguised as artefacts, must be developed later than the initial design. The structural engineer rarely gets a position in the front row of the design process. The structural and cladding components of these buildings require an enormous effort in collaborative design and engineering. It should be recommended that, at least in the design phase, the concept of the building technical composition would be developed simultaneously with the architectural concept. Both the design and engineering phase and the production and realization phase, need a definite extremely high degree of collaboration between all the involved capable building parties, to reach the goal of a successful fluent design building, which will be a success to all parties.
机译:建筑师主要从雕塑方面考虑,以任意​​和非直线形式为建筑物生成新的数字巴洛克式设计。过去几十年的所有经验教训,似乎都被忘记了,在这些经验教训中,系统化的空间结构和经济建筑的工业化及其规律得到了发展,应注意的事和不应该的事。这些建筑物的承重结构(伪装成伪影)必须在初始设计之后进行开发。结构工程师很少在设计过程的前排获得职位。这些建筑物的结构和立面组件在协同设计和工程中需要付出巨大的努力。应该建议,至少在设计阶段,将建筑技术组成的概念与建筑概念同时发展。设计和工程阶段以及生产和实现阶段都需要在所有相关的有能力的建筑团队之间进行明确的高度合作,以实现成功流畅的设计建筑的目标,这对所有各方都是成功的。

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