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Darkness and Depth in Early Renaissance Painting

机译:文艺复兴早期绘画中的黑暗与深度

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摘要

Contrast has always been appreciated as a significant factor in image quality, but it is less widely recognized that it is a key factor in the representation of depth, solidity and three-dimensionality in images in general, and in paintings in particular. This aspect of contrast was a key factor in the introduction of oil paint as a painting medium at the beginning of the fifteenth century, as a practical means of contrast enhancement. However, recent conservatorship efforts have established that the first oil paintings were not, as commonly supposed, by van Eyck in Flanders in the 1430s, but by Masolino da Panicale in Italy in the 1420s. These developments led to the use of chiaroscuro technique in various forms, all of which are techniques for enhanced shadowing.
机译:对比度一直被认为是图像质量的重要因素,但是人们普遍认为对比度是图像(尤其是绘画)中深度,坚固性和三维性表现的关键因素。对比度的这一方面是在十五世纪初引入油画颜料作为绘画媒介的一种关键因素,它是增强对比度的一种实用手段。但是,最近的音乐保护工作已经确定,第一油画不是通常的想象,而是1430年代在法兰德斯的范·艾克(van Eyck),而是1420年代在意大利的Masolino da Panicale。这些发展导致以各种形式使用了明暗对比技术,所有这些都是增强阴影的技术。

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