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Photographing the range of light: Works by Ansel Adams and John Sexton

机译:拍摄光线范围:安塞尔·亚当斯(Ansel Adams)和约翰·塞克斯顿(John Sexton)的作品

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摘要

In 1979, Ansel Adams published a collection of his photographs titled "Yosemite and the Range of Light."[1] Ansel, more than many photographers, realized that light falling on a scene is both a challenge, as well as a creative opportunity. The challenge being that one-size-fits-all automation of scene capture cannot handle the great changes in light intensity. Creative opportunities, with variations from deep shade with uniform illumination to strong direct sun and dark shadows, can make photographs more interesting and compelling. During my many years working closely with Ansel, I realized that the true subject matter of a successful photograph is indeed light. Ansel codified the techniques of capturing and rendering the natural scene with his Zone System of exposure and development. The key element of Adams' Zone System is the ability to visualize within the limits of the photographic materials. This talk will illustrate through Adams' photographs, and my own images, the importance of interpreting - rather than mere recording - in creative photography. It will include examples of photographs before and after the resourceful steps involved in expressive printmaking, which create an image that not only is a representation of what we see, but also what we feel.
机译:1979年,安塞尔·亚当斯(Ansel Adams)发布了他的摄影作品集,名为“优胜美地和光的射程”。[1]安塞尔比许多摄影师意识到,落在场景上的光既是挑战,也是创造机会。挑战在于,一应俱全的场景捕获自动化无法应对光强度的巨大变化。从深浅的阴影,均匀的照明到强烈的直射阳光和深色阴影,各种创意机会都可以使照片更加有趣和引人注目。在与Ansel紧密合作的多年中,我意识到成功拍摄照片的真正主题确实很轻。 Ansel通过其曝光和显影区域系统,将捕获和渲染自然场景的技术编成代码。亚当斯区域系统的关键要素是在照相材料范围内可视化的能力。这次演讲将通过亚当斯的照片和我自己的图像来说明在创意摄影中解释(而不是仅仅记录)的重要性。它将包括在富有表现力的版画制作所涉及的足智多谋的步骤之前和之后的照片示例,这些步骤所产生的图像不仅代表我们看到的内容,还代表我们的感受。

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