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Painterly Rendered Portraits from Photographs using a Knowledge- Based Approach

机译:使用基于知识的方法从照片中绘画肖像

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摘要

Portrait artists using oils, acrylics or pastels use a specific but open human vision methodology to create a painterly portrait of a live sitter. When they must use a photograph as source, artists augment their process, since photographs have: different focusing - everything is in focus or focused in vertical planes; value clumping - the camera darkens the shadows and lightens the bright areas; as well as color and perspective distortion. In general, artistic methodology attempts the following: from the photograph, the painting must 'simplify, compose and leave out what's irrelevant, emphasizing what's important'. While seemingly a qualitative goal, artists use known techniques such as relying on source tone over color to indirect into a semantic color temperature model, use brush and tonal "sharpness" to create a center of interest, lost and found edges to move the viewers gaze through the image towards the center of interest as well as other techniques to filter and emphasize. Our work attempts to create a knowledge domain of the portrait painter process and incorporate this knowledge into a multi-space parameterized system that can create an array of NPR painterly rendering output by analyzing the photographic-based input which informs the semantic knowledge rules.
机译:使用油,丙烯酸或蜡笔的肖像画家使用特定但开放的人类视觉方法来创建现场保姆的绘画肖像。当他们必须使用照片作为来源时,美术师会增加他们的处理过程,因为照片具有:不同的焦点-一切都聚焦或聚焦在垂直平面上;值聚集-相机使阴影变暗,使明亮的区域变亮;以及颜色和透视图失真。通常,艺术方法会尝试以下操作:从照片中,绘画必须“简化,构图并省略无关紧要的内容,强调重要的内容”。尽管看似是定性的目标,但艺术家使用已知的技术,例如依靠颜色上的源音调间接地建立语义色温模型,使用笔刷和色调的“清晰度”创建感兴趣的中心,丢失和发现的边缘以使观众凝视通过朝向感兴趣中心的图像以及其他过滤和强调技术。我们的工作试图创建肖像画家过程的知识领域,并将此知识整合到一个多空间参数化系统中,该系统可以通过分析基于摄影的输入(该信息可告知语义知识规则)来创建NPR绘画渲染输出的数组。

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