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Inheritance in Indian Classical Music: An object-oriented analysis and pattern recognition approach

机译:印度古典音乐的传承:一种面向对象的分析和模式识别方法

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Musical pattern recognition and classification of the features of Indian Classical Music plays a decisive ingredient in the musicological and ethno-musicological research and development. In the conformist Indian Classical Music (ICM) has two basic bare bones, namely, the raga which is the musical scale (classical mode) and the unambiguous rhythm which proceeds as an adornment on the music. We are going to thrash out of the representation and analysis of rhythmic features of Indian Classical Music in object-oriented manner. Inheritance is one of the cornerstones of Object-Oriented Programming (OOP) concept. This is a mechanism by which the objects of one class conquer the possessions and the textures of the other class or classes owing to evade the complexities of the feature classification. The numerous formations like single, multilevel and hierarchical models of inheritance are accredited to be modeled and analyzed the rhythmic patterns of Indian Classical Music.
机译:音乐模式的识别和印度古典音乐特征的分类在音乐学和民族音乐学的研究与开发中起着决定性的作用。在遵循传统的印度古典音乐(ICM)中,有两个基本的裸露的骨骼,分别是乐谱(古典乐谱)和音乐的装饰节奏。我们将以面向对象的方式摆脱对印度古典音乐节奏特征的表示和分析。继承是面向对象编程(OOP)概念的基石之一。这是一种机制,由于逃避了特征分类的复杂性,一个类别的对象征服了另一个类别或多个类别的财产和纹理。认证了诸如单继承,多继承和分层继承模型之类的众多形式,以对印度古典音乐的节奏模式进行建模和分析。

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