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Symbolism in French literature

机译:法国文学中的象征主义

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To talk of Symbolism in French literature may be ambiguous, as two different categories of writers have been grouped under this generic term: the symbolists stricto sensu, such as Moréas or Viélé-Griffin, who were mostly minor poets, and some great figures of French literature. The aim of this article is to show that, although Symbolism as an organized movement did not produce any important contribution, the nineteenth century witnessed indeed the emergence of a new trend, common to several poets who were inclined to do away with the heritage of the classical school. These poets - of whom Baudelaire, Verlaine, Rimbaud and Mallarmé are the most renowned, although they did not really associate with the symbolist school, created individualistic poetry of the foremost rank.
机译:在法国文学中谈论象征主义可能是模棱两可的,因为按照这个通用术语将作家分为两类:严格意义上的象征主义者,例如Moréas或Viélé-Griffin,他们大多是次要诗人,还有一些法国名人。文学。本文的目的是表明,尽管象征主义作为一种有组织的运动并没有产生任何重要的贡献,但十九世纪确实见证了一种新趋势的出现,这种趋势是一些倾向于废除传统主义的诗人所共有的。古典派。这些诗人-鲍德莱尔(Baudelaire),韦尔兰(Verlaine),林波(Rimbaud)和马拉美(Mallarmé)是最著名的,尽管他们并没有真正地与象征主义学校联系在一起,但他们创造了个人主义诗歌。

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