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Die vrou in T.T. Cloete se 'toepasslngs van dante'

机译:T.T.中的女人Cloete的“但丁应用”

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>Woman in T.T. Cloete's 'toepasslngs van dante'
In T.T. Cloete's fourth collection of poems, Idiolek (1986), several references are made to the poetry of Dante Alighieri. At the core of this collection are three poems under the heading "toepassings van dante". The first, "Silhoe?t van Beatrice", is a description of the outline of Beatrice's naked body. The second poem, "mooi marilyn monroe foto in rooi", is based on a pin-up of Marilyn Monroe posing naked against a backdrop of red velvet. Although these two women are almost exact opposites - Beatrice possessing a divine beauty and an almost Christ-like nature, whereas Marilyn Monroe is portrayed as a dumb blonde and sex symbol of the fifties - the two poems are suspiciously similar in style and content. Both women are portrayed as being fundamentally perfect ("fundamenteel perfek"). In symbolizing the same virtues, they lose their unique and contrasting characteristics, and merge into a symbol of female perfection. Although the third poem, "columbae", does not have the Beatrice/Marilyn Monroe-figure as subject matter, it can be read as dealing with the issue of individuality and uniqueness, thus commenting on the previous two poems.
机译:> TT Cloete的“ toepasslngs van dante”中的女人
TT Cloete的第四首诗集, Idiolek (1986年)中,对丹特·阿利吉耶里的诗歌进行了多次引用。该收藏的核心是三首诗,标题为“ toepassings van dante”。第一个是“ Silhoe?t van Beatrice”,它描述了Beatrice裸露的身体轮廓。第二首诗“ mooi marilyn monroe foto in rooi”是根据玛丽莲·梦露在红色天鹅绒的背景下赤裸裸摆姿势的海报而制作的。尽管这两个女人几乎是完全相反的-比阿特丽斯拥有神圣的美丽和几乎像基督的天性,而玛丽莲·梦露被描绘成五十年代的愚蠢金发和性象征-两首诗在风格和内容上都令人怀疑。两名女性都被描绘为从根本上是完美的(“基本功”)。在象征着相同的美德时,它们失去了独特而鲜明的特征,并融合为女性完美的象征。尽管第三首诗“ columbae”没有以比阿特丽斯/玛丽莲·梦露为题材,但可以理解为涉及个性和独特性的问题,因此对前两首诗进行了评论。

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